A dream home turned into a nightmare after a life-changing paranormal experience. The homeowner, Alice Jackson, refuses to spend another night at her house unless someone proves to her what she experienced has a natural explanation. Directors’ Steve Gonsalves and Kendall Whelpton headed to Mississippi with their camera crew to document the real-life effects of a homeowner’s mission to get her house back from this terrifying nightmare. The approach was much like a detective chasing down leads and connecting the dots. With a no stone left unturned mindset, utilizing real scientific data via physicists, field experts and deep accurate research. The filmmakers were also adamant their film crew be very experienced in the field of paranormal research because of the sensitive nature of this case. The directors hand selected each film crew member not only for their respective production expertise but also for their dedication to the documentation of real paranormal research.

9th CIRCUIT COWBOY is the story of Judge Harry Pregerson who, for almost half a century, served on California’s famously liberal 9th Circuit Court of Appeals.

Climbers Alex Honnold and Tommy Caldwell set out on a daring expedition to tackle Alaska’s formidable Devils Thumb. Battling harsh conditions and daunting peaks, they push their physical and mental limits, while their deep friendship faces its toughest trial yet.

While Senator Kelly addresses a senate committee about the supposed mutant menace, we learn about the making of the movie, X-Men.

In this investigation, filmmaker Timothy P. Mahoney examines the journey to the crossing location, looking at two competing views of the Red Sea Miracle. One he calls the “Egyptian Approach,” which looks near Egypt. The other he calls the “Hebrew Approach,” which looks far from Egypt to the Gulf of Aqaba where divers have been searching for the remains of Pharaoh’s army on the seafloor. The investigation raises giant questions about the real location for the crossing site and its implications on your view of God. The answers to these questions point to one of two very different realities.

Since 1999, Claude Lanzmann has made several films that could be considered satellites of Shoah, comprised of interviews conducted in the 1970s that didn’t make it into the final, monumental work. He has just completed a series of four new films, built around four women from four different areas of Eastern Europe with four different destinies, each finding herself unexpectedly and improbably alive after war’s end.

One of the greatest comebacks of all time in sports. Kyle Busch is the most polarizing driver of the contemporary NASCAR series. Unmatched talent and singular determination to win at everything, Busch confronts his physical limits when he sustains what could be a career ending wreck in 2015 only to find a path to the first of what will undoubtedly be many Cup Series Championships.

Halfway between a sports documentary and an conceptual art installation, “Zidane” consists in a full-length soccer game (Real Madrid vs. Villareal, April 23, 2005) entirely filmed from the perspective of soccer superstar Zinedine Zidane.

Taped in July before a live audience at the Showbox Theatre in Seattle, Cross pushes his brash humor to new extremes, offering uncensored remarks on the Virgin Mary, trendy advertising, violence in the media, airports and pornography, Dr. Kevorkian, organ donations, High Times magazine and religious fundamentalists.

For one night only, Professor Brian Cox takes an audience of celebrity guests and members of the public on a journey into the wonderful universe of the Doctor, from the lecture hall of the Royal Institution of Great Britain. Drawing on the latest theories as well as 200 years of scientific discoveries and the genius of Einstein, Brian tries to answer the classic questions raised by the Doctor. Can you really travel in time? Does extra-terrestrial life exist in our galaxy? And how do you build something as fantastical as the TARDIS?

This documentary features the band performing their favourite classic Disney tracks, along with information on Perfume’s life stories, their passion for music, giving details of their favourite Disney memories and much more.

In the gig poster community, artists such as Daniel Danger and Jay Ryan prove that creating this artwork is a way of life, more than just a career. These artists are at the forefront of an expansion of the gig poster genre. MONDO’s reinvigoration of “the film poster as an art form,” and Gallery 1988’s theme based exhibits are only two ways in which this artwork is reaching a greater public. In a community with strong roots, dating back to the 1960s, this expansion is controversial- refreshing to some, sacrilegious to others.