The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.

The new Strawberry Shortcake is a comedy/educational CG series of 22-minute episodes for girls ages 3-6. The series focuses on the quirky community of Berry Bitty City, a miniature town tucked into a strawberry patch. It is home to Strawberry Shortcake and her five girlfriends, all nine years old and two inches tall. The series teaches social/emotional lessons and Emotional Intelligence lessons on community life that will benefit our young audience. The series is also fruit forward Strawberrys earlier series has evolved from a world plentiful with cake and candy to one that now emphasizes fruit, vegetables and healthy eating. Colorful, whimsical fruit motifs are used in visuals and naming conventions.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.

In 1992, Mercer is desperately trying to rebuild his life and his relationship with his son amidst the turbulent Los Angeles uprising following the Rodney King verdict. Across town, another father and son put their own strained relationship to the test as they plot a dangerous heist to steal catalytic converters, which contain valuable platinum from the factory where Mercer works. As tensions rise and chaos erupts, both families reach their boiling points when their worlds collide.

A adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.

The beautiful Shizuko (Aya Sugimoto) and her husband Tooyama Takayoshi (Jo Shishido) have a loving relationship, But Takayoshi is getting older and isn’t always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.

J.R. is a fatherless boy growing up in the glow of a bar where the bartender, his Uncle Charlie, is the sharpest and most colorful of an assortment of quirky and demonstrative father figures. As the boy’s determined mother struggles to provide her son with opportunities denied to her — and leave the dilapidated home of her outrageous if begrudgingly supportive father — J.R. begins to gamely, if not always gracefully, pursue his romantic and professional dreams, with one foot persistently placed in Uncle Charlie’s bar.

The life of Al Roberts, a pianist in a New York nightclub, turns into a nightmare when he decides to hitchhike to Los Angeles to visit his girlfriend.

Circumstances force the unstructured yet charming Danish Bohemian novelist, Simon, to share his flat in Copenhagen with the very organized and beautiful Swedish lawyer, Malou. Simon dreams of children and a family. Malou is solely focused on her career. Despite being in opposition they warm up to each other. But even though opposites do attract – can they also manage to live together? Against all odds their meeting sets of a chain of events, which will ultimately change their lives forever.

My Stupid Boss recounts the story of an absurd boss and his employees. Bossman (Reza Rahadian) is an Indonesian who owns a company in Kuala Lumpur. A large but disorganized company. The culprit for the disarray in the organization is the bossman himself. His first principle of management is that Bossman Is Always Right. Which means whatever the Bossman fancies, he’ll get it done. And that is his following principle: Impossible We Do Miracle We Try. In the midst of this is Diana, the Bossman’s secretary, who has to juggle at every turn with the odds that never seem to add up in the company. Diana’s daily confronted with her boss’s antics and her patience and good sense are all put to the test.

A father, who unexpectedly gets custody of his teenage daughter, has a second chance to gain back her trust and rebuild their relationship.

Two couples appear to live in marital bliss until cracks begin to appear in both seemingly steady marriages. The film asks the question ‘How well do any of us really know each other’ and explores the ideas of love, lust, and family relationships.