Nao Tsuyama, a disabled athlete, refuses to let his articifical leg hinder his dream to become a professional boxer. His remarkable journey takes him from Japan to the Philippines, and specifically the celebrated ‘Gensan’ quarter which has spawned worldwide stars such as the legendary Manny Pacquiao.
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Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma. A film with many twists and turns.
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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.