10 years before the debut of the Ultimate Fighting Championship. In 1979, Bill Viola and Frank Caliguri dreamed up a contest pitting barroom bigmouths against wrestlers, martial artists, boxers, bouncers and brawlers, billed as no-holds-barred new type of competitive fighting. When the fights succeeded beyond their wildest expectations, they were swept up in a chain of events that ended in the first mixed-martial arts ban in the nation. “Tough Guys” chronicles the inception of Caliguri and Viola’s first bouts and the colorful, crazy cast of fighters who made them a hit as well as the politicians who brought it all crashing down. The film brings to life a moment when the national martial arts craze was building to a crescendo as the economies of Pennsylvania steel towns were plummeting to levels of unemployment never seen, breeding desperate men looking for a chance to prove their worth and make some money in the ring.

Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

The story of how a tiny, broke Silicon Valley startup slew giants of the movie rental world, warded off Amazon and forced movie making and distribution into the digital age.

On the heels of The New York Times’ breaking news story revealing new information about President Trump’s financial history, David Barstow, Russell Buettner and Susanne Craig expose the untold story of how Donald Trump became rich.

Anthony “The Mooch” Scaramucci may have been the shortest tenured White House Communications Director, but he sure left a big impression. Compiled over a four-year span, ‘Mooch’ tells the only-in-Trump’s-America story of an irrepressible hedge fund manager who rose from humble beginnings to stratospheric heights – only to watch the world laugh as he tumbled back down.

“She Did That” is the first full-length documentary focusing the lens on Black women building brands and legacies. The film explores the passionate pursuits of Black women and their entrepreneurship journeys.

A group of filmmakers from the USA, UK, Russia and Europe came together in Latvia, aiming to do what every major studio in the world in every country was not able to do – complete the shooting of a film under Covid-19 conditions.

An ex gang member’s love for pigs spurs him on a life-risking mission to uncover the truth behind ‘bacon’. Director and Activist Joey Carbstrong goes undercover with fellow activists to infiltrate and expose the deeply ingrained corruption and heartbreaking abuse that lies at the heart of the UK’s ‘pork industry’

DRONE is a documentary about the covert CIA drone war. Through voices on both sides of this new technology, DRONE reveals crucial information about the drone war in Pakistan and offers unique insights into the nature of drone warfare.

Ski Bum: The Warren Miller Story chronicles the life and times of the legendary filmmaker who, through his annual ski films and national tours which began in the early 1950’s, was a driving force in the development and promotion of the ski industry in America and throughout the world. Miller, who died last year at 93, sat months before his passing for his final interview. He reminisced about living off rabbit stew and sleeping in a teardrop trailer in his endless pursuit of the perfect ski run and he explained in great detail the challenges – both personal and professional – he faced over the course of his career.

Rachel Dolezal became infamous when she was unmasked as a white woman passing for black so thoroughly that she had become the head of her local N.A.A.C.P. chapter. This portrait cuts through the very public controversy to reveal Dolezal’s motivations.

Passionate about ocean life, a filmmaker sets out to document the harm that humans do to marine species — and uncovers an alarming global conspiracy.