The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.

A documentary special that provides a rare view into the real Charles behind the headlines… told in his own words.

Strong Puerto Rican women forced to flee the island after Hurricane Maria have bonded like family in a FEMA hotel in the Bronx. They seek stability in their new life as forces try to pull them apart.

Joe Kenda’s investigation into the brutal rape and murder of 24 year old wife and mother Mary Lynn Vialpando goes cold until DNA technology leads cold-case detectives to the most unlikely of killers 30 years later.

The time has come for a ski film that stands for something. Join us as we unite spectacular cinematography with creative cinematic language to fuse our passion for skiing with our potential to help the environment. In bringing the planet to life and drawing parallels between our daily existence, we find common ground between the global situation and the real individual. Epic natural cinematography, ground breaking skiing from Chile to Greenland, and an environmental engagement that creates an accessible identification point for the viewer, leaving them with an inspiring new perspective.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic’s first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris’ performance in the decathalon and the games’ majestic closing ceremonies.

Willem was an artist who lived openly as a gay man at a time when few did. Frieda was a well-connected musician who became the first woman to lead an orchestra. We learn of their early lives and the selfless decisions that informed their devotion to the anti-Nazi cause, often at great personal risk. The gentle revelation of these extraordinary lives is gradually revealed through archive footage, skillfully combined with photographs and interviews with experts, journalists and family members.

Video footage of some of the beauties that have graced Playboy and appeared in Baywatch.

An intimate portrait of Alabama public interest attorney Bryan Stevenson, founder and executive director of the Equal Justice Initiative, who for more than three decades has advocated on behalf of the poor, the incarcerated and the condemned, seeking to eradicate racial discrimination in the criminal justice system.

Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change.

First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.

Follow freestyle skier Marie Martinod as she returns to the sport after giving birth, with the goal of finding victory at the 2014 Winter Olympics.