Swapna, a nyctophobic, a game designer, who is on a turbulent road to recovery from an incident that scarred her deeply, has to fight her inner demons to stay alive in the game called life.
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Two misfit males, one man-child, one boy, find each other, building a small cabin in the woods to create a new life. Their daily struggle for survival creates a strong bond between them until the hut is destroyed and one of the boys carted off. The former psychiatric patient is told that his friend was just a figment of his imagination, but this provokes him to fight back and prove the boy’s existence.
Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.
At the age of 11, Li was plucked from a poor Chinese village by Madame Mao’s cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.
Thousands of years ago in ancient China, a man fights against his destiny. He wants another chance to be reunited with his loved one and he gets that chance, in a far away place and a far away time, in modern Finland.
A young Lakota Sioux, adopted by a wealthy Jewish couple in Beverly Hills, gets in touch with his cultural roots and solves a mystery in this thriller
Four short films by four different directors dealing with the principles of modern life.
The movie begins as an old English woman Amy Wilkinson (Carole Trungmar) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947 to return Thali necklace (sacred thread tied around the neck of the bride by her groom) of his mother, which he gives as a sign of stating that she belongs to India and nobody can separate them. She wants to return that back to him, as she gets married to other man in her home town and it no more belongs to her.
Based on true events, involving powerful Catholic priest Fernando Karadima, who committed crimes of child abuse and pedophile between 1980’s-2000’s. The struggle of his victims, to be able to reveal the truth and look for justice.
Siberia. Late autumn. In taiga, in the deserted village there lives an old man Ivan & his seven-year-old grandson Leshia. A pack of feral dogs devours everything alive in the neighborhood. One of these dogs is Leshia’s best friend. Sometimes their relative uncle Yuri brings food to them. Once on his way back from Ivan’s village uncle Yuri is attacked by dogs & perishes. Ivan & Leshia stay without supply. Once Leshia witnesses Ivan shooting at ‘his’ dog & runs away. The old Man finds him in a dry well, but he fails to get him out on his own. Ivan sets out through taiga in search of help. Now the dogs are hunting him… And the boy is waiting for his father…
In 1777, one year since he had taken reign, King Jeong-jo bears a perilous palace life with his dedicated court servant, Gap-soo, amidst opposition and threats from those around with political ambitions. Meanwhile, Eul-soo, a member of a secret assassin group, receives orders to kill Jeong-jo. Gap-soo, who had also been in the same secret assassin ring as Eul-soo, later confesses to Jeong-jo about his dark past and his motive for coming into the palace. To Gap-soo’s surprise, Jeong-jo asks Gap-soo when he had given up being an assassin, then orders him to just leave the palace. However, Gap-soo finds out that there is another assassin besides him and frantically returns to the court, only to discover Eul-soo in combat with Jeong-jo. (c)
In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men whose greedy conspiracy to acquire her father’s land caused his death years earlier.
