The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

A disconnected teenage girl enters a relationship with a man twice her age. She sees him as the solution to all her problems, but his intentions are not what they seem.

Set in the late ’20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.

The first film to tell the story of South Africa’s poaching war from both sides of the fence. Based on actual events, and filmed in the townships and game reserves most directly impacted by wildlife crime, this dramatic short film paints an unbiased portrait of a modern war that is tearing apart communities and driving a pre-historic species to the verge of extinction.

In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad.

With the world under attack by deadly creatures who hunt by sound, a teen and her family seek refuge outside the city and encounter a mysterious cult.

Busy navigating his final year of high school, brainy aspiring teacher Tom is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine, who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy. But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.

Toby, a woman who always played by the rules. Toby never ran a red light, married the only boy she ever dated, raised a family and went to church. She did everything she was supposed to do. When Toby loses her job and starts a non-profit to rehabilitate abused, rescued dogs at the local prison no one could have anticipated that she would end up on the run, shacked up with her younger lover John, a convicted murderer. The star-crossed lovers hatch a plan to break John out of prison by smuggling him out in one of the dog crates, sparking a federal manhunt.

A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business: drug dealers. Going against the plan, the two spend the night partying, allowing the audience to see that, in a certain light, the “bad guys” weren’t really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that’s filled with Germans, Jesus, banjos, bongos, beers, and bongs.

After learning of his sister’s suicide, Nick, a small-time boxer, decides to pay a visit to his sister’s junkie lover in Los Angeles, collect some money and pursue an early retirement in Mexico. Along the way, he meets a 9-year-old girl who’s been abandoned by her father and together they hitchhike south.

The true story of how Ray Kroc, a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers’ speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire.