Gabriel’s Rapture Part 3, the final installment of the Gabriel’s Rapture trilogy, is everything fans could have hoped for. Stars Melanie Zanetti and Giulio Berruti take an emotional journey of self-discovery as Julia and Gabriel, overcoming obstacles and personal demons to find their way back to each other.
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Abby Foster and Luke Walker were high school sweethearts who were married for a brief time. Many years later, Abby’s life seems perfect as she gets ready for a new life in Paris along with her soon-to-be husband, Edward. When an unexpected letter arrives throwing Abby off course, she must decide what her heart really wants.
Robert Armstrong stars as Scoop Adams, an ace newsreel cameraman whose love affair with the bottle all but destroys him professionally. Scoop manages to get his photographer pal Dick (Richard Cromwell) fired as well, but he promises to restore Dick’s reputation, some way or another. He gets his chance while covering a dirigible wreck (some three years before the Hindenburg), saving the day for both Dick and himself.
It’s the last week in her hometown of Chantaburi for ‘Sue’, before she goes aboard to study on a scholarship; which she accepted without telling her father, and over which they argued so badly that they haven’t talked since. For Sue, who has never been aboard before, packing her luggage is a major thing. With the help of her friend ‘Belle’, Sue makes a list of things she has to do before leaving. They find that there are many things to be done. Here are some of the things on Sue’s checklist.
High-powered single-woman Jane Berry is focused on the important things in life, such as advancing her career and spending a bundle on fashionable shoes. But then a car accident on Christmas Eve changes her forever: Jane wakes up after the crash to discover that she is a married stay-at-home mom with two kids and a passion for charity work. Is she dreaming? Crazy? Is this a strange twist of fate?
John and Mary meet in a singles bar, sleep together, and spend the next day getting to know each other.
A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy’s father withdraws his financial backing and bars his son from ever setting foot on Sheffield’s campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown’s famous “Yeeeeowww” was heard — but certainly not the last).
Pål dreams about becoming successful with his music, but he has one major obstacle: himself. He’s a diamond in the rough, and the only things greater than his musical talent are his obsessions, which constantly get him into trouble. We follow Pål on an emotional journey one summer in Gothenburg where he is thrown between passion and deceit; love, reconciliation and deliverance.
Tony and Tina are excited to get married but they dread having the ceremony. Tina’s mother and Tony’s father used to be an item and neither parent has gotten over their bitter breakup. As everyone comes together to help plan the event, the parents cannot stop bickering and they are constantly at each other’s throat. Adding to their woes are an eccentric photographer, a stubborn priest, unhappy bridesmaids and hung over groomsmen.
Based off of the original tale by Hans Christian Andersen, Little Mermaid tells the story of a young mermaid (Rosie Mac) leaving the sea for a human (Michael Murray) that she’s watched from afar. When everything isn’t as it seemed, she must find her own way. After getting a job dancing at a club and staying with a kind stranger, she strikes a new deal with the sea witch to stay in her new reality.
In the sequel to Summer of Dreams, it’s been a year since Debbie’s smash hit “Wonderland.” Now living in a small town, she’s found true love and left the music industry behind to teach kids the value of their own musical talents. But when her manager begins to pull her back into the limelight to celebrate the 20th anniversary of her first single, “Out of the Blue,” Debbie has to decide which will come first – music or love?
A convicted female blackmailer is found murdered in her flat and suspicion falls on three men, all of whom the police believe may have had reason to wish her dead