Alex is a paramedic who saves lives on London’s gay chemsex scene, but can he save himself from it?
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The lives of four twenty-somethings collide one fateful New Year’s Eve in this twisty, blackly comic crime thriller set amidst the ancient walls of Derry, Northern Ireland, in a night of fast talk, accidents and intrigue. Johnny, a small-time crook, and Marie, a dissatisfied shop assistant, are both looking for a fresh start. Greta is on the verge of taking her own life and Pearse has a bounty on his head for asking difficult questions about his missing brother Eddie Kelly. As the clock ticks down to midnight and the night’s events expertly fall into place, Jump weaves an existential portrait of the characters’ lives as their hopes, fears and secrets are revealed
As each member of the Holloway family work to solve their problems, they prepare for Mopelola’s party, clearly to become the year’s biggest society event. But the buzz about the party compels the Asset Management Corporation to foreclose on ST. IVES, the family business, after the death of his God Father Baba Eko who had been protecting Akin Holloway. He must then fight a bigger battle – getting Mopelola to cancel her party and maintain a low profile to get them off the radar, while he tries to save the business.
Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.
Strike is a young city drug pusher under the tutelage of drug lord Rodney Little. When a night manager at a fast-food restaurant is found with four bullets in his body, Strike’s older brother turns himself in as the killer. Det. Rocco Klein doesn’t buy the story, however, setting out to find the truth, and it seems that all the fingers point toward Strike & Rodney.
A teenage orphan fights against the Red Army at the end of WWII and in the aftermath is ‘adopted’ by a Commissar. Years later he is sent to London during the Cold war to work for the KGB, where he questions his life.
François and Noémie run a sawmill in the mountains not far from the Swiss border. François has taken over his family’s business, making him the fourth generation. He dreams of having a child. After years of failed fertility assistance, they give up on having a baby of their own and turn to adoption. But then François meets Patricia, new to the neighborhood. They begin a passionate affair. Soon after, Patricia gets pregnant.
“Girls” follows four beautiful women and depicts the troubles found in their love lives and work place. Yukiko Takigawa (Karina) works at a big advertising firm and has a good looking boyfriend. Seiko Takeda is married and has no children. She works at a large real estate company. Yoko Kosaka is a single woman working at a historic stationary company. Takako Hirai is a single mother who works for a car manufacturer.
Set in the coffee fields of Colombia, Green Fires stars Stewart Granger and Grace Kelly. Granger plays emerald prospector Rian X. Mitchell, who intends to explore an old deserted mine despite the protests of his partner Vic Leonard Paul Douglas and the threat of death at the hands of local bandit El Moro Murvyn Vye. Ms. Kelly costars as Catherine Knowland, whose coffee plantation lies at the foot of the mine where Mitchell labors away. Such natural disasters as rain and flood, coupled with such man-made weapons of destruction as guns and dynamite, continually thwart Mitchell’s search for riches.
