Toshio hires Yasaka to work in his workshop. But then this old acquaintance, who has just been released from prison, begins to meddle in Toshio’s family life…
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Ypres, 1917. Two soldiers from opposing sides, one British and one German, confront one another after becoming trapped in a Belgian barn during World War I. With heavy resent and a language barrier dividing them, the two try to find common ground whilst biding their time.
A mother’s last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad’s acclaimed play, Incendies tells the powerful and moving tale of two young adults’ voyage to the core of deep-rooted hatred, never-ending wars and enduring love.
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
A young rabbit embarks on a journey to dig the burrow of her dreams, despite not having a clue what she’s doing.
A man trying to get home to his dog gets stuck in a time loop that forces him to relive a deadly run-in with a cop.
When Blanca Snow is faced with spending Christmas with her dastardly stepmother, Victoria, she attempts to fulfill her late father’s wishes and create new memories as a family. However, Victoria plots to edge Blanca out of her father’s inheritance and keep the money and his mansion, for herself. Victoria has Blanca hypnotized, so she will forget everyone and everything about her father’s will. When Blanca wakes up in a quaint motor lodge out of town with severe amnesia, she receives the help of seven quirky friends, the Holly Jollies, to help her figure out her life. While attempting to regain her memory, she finds herself the object of affection to both house painter Hunter, and Lucas Prince. But, who can she trust?
The story revolves around Mrs. Nu’s family consisting of three generations living together in the same house. The one-handed Mrs. Nu is known for her crab cakes and is also notorious for controlling the lives of everyone, from her daughter to her son-in-law. Everything was going normally until the youngest daughter fell in love with a handsome guy from a rich family. The story depicts the complex, multi-dimensional relationships that occur with family members. The main tagline (message) “Everyone is at fault, but everyone thinks they are… the victim” contains many hidden meanings about the content the film wants to convey.
A terrorist attack in London results in the capture of suspect Farroukh Erdogan (Denis Moschitto). The attorney general appoints Claudia Simmons-Howe (Rebecca Hall) as special advocate on Erdogan’s legal team. On the eve of the trial, Erdogan’s lawyer dies, and a new defense attorney, Martin Rose (Eric Bana), steps in. Martin and Claudia are former lovers, a fact which must remain hidden. As Martin assembles his case, he uncovers a sinister conspiracy, placing him and Claudia in danger.
