In rural India, a child with hydrocephalus gets a chance at life-changing surgery after her photos go viral. This documentary charts her journey.

South Bureau Homicide, set in South Los Angeles, explores the unsung bond created by the homicide detectives of LAPD and the local community’s anti-violent-crime activists who together investigate and cope with the persistent menace of homicidal violence that plagues a disproportionately small part of LA.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

A film crew follows two leopard cubs as they make the fascinating journey from infancy into adulthood in this up-close-and-personal nature documentary.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.

In 1971, four college students got together to form a rock band. Since then, that certain band called Queen have released 26 albums and sold over 300 million records worldwide. The popularity of Freddie Mercury, Brian May, Roger Taylor and John Deacon is stronger than ever 40 years on. But it was no bed of roses. No pleasure cruise. Queen had their share of kicks in the face, but they came through and this is how they did it, set against the backdrop of brilliant music and stunning live performances from every corner of the globe. In this film, for the first time, it is the band that tells their story. Featuring brand new interviews with the band and unseen archive footage (including their recently unearthed, first ever TV performance), it is a compelling story told with intelligence, wit, plenty of humor and painful honesty.

An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.

For the first time one of Hollywood’s greatest stars tells his own story, in his own words. From a childhood of poverty to global fame, Cary Grant, the ultimate self-made star, explores his own screen image and what it took to create it.

Louis Ortiz, a down on his luck 40-something Puerto Rican resident of the Bronx, looks in the mirror one day and believes he’s found gold—he’s a dead ringer for Barack Obama. With visions of finally living the American Dream, the charismatic Ortiz launches a complete makeover. He dons Obama’s trademark suit, adopts his mannerisms, mimics his voice and steps out onto the street as a presidential impersonator. Taken on by a casting agent, Ortiz and a gang of other political impersonators, including a Bill Clinton and a Mitt Romney, hit the road during the run-up to the 2012 presidential election to perform satirical debates for mostly Republican conventions, throwing Ortiz into conflict with his personal political beliefs. As Ortiz struggles to make ends meet, the distance between the White House and the Bronx becomes increasingly acute. The life of a president isn’t always as easy as it looks.

All the cool kids were wearing it. This documentary explores A&F’s pop culture reign in the late ’90s and early 2000s and how it thrived on exclusion.

“The Love We Make”, a film directed by Albert Maysles (“Gimme Shelter”) and Bradley Kaplan, follows Paul McCartney as he journeys through the streets of New York City in the aftermath of the destruction of the World Trade Center on September 11th, 2001. It also chronicles the planning and performance of the benefit concert that took place less than six months after the attacks: “The Concert For New York City”.

It is the demand of every skeptic: prove to me that God exists. Of course making a decision to accept the Gospel of Christ is a matter of faith.