Miles Kody, is a documentary filmmaker. As Miles tapes his interviews with Vic he becomes aware of the appearance of “ghosts” captured on his video monitor. He realizes that the faint energy fields of these ghosts, past victims of the snuff films, are picked up more readily on video…
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There is an old wives’ tale that you should hold your breath when passing by a cemetery lest an evil spirit rejected by both heaven and hell gets inside of you when you inhale. Someone in a carload of college kids on holiday doesn’t hold his/her breath when driving by a graveyard, allowing the spirit of a recently executed serial killer to get inside him/her to begin a spree of body-jumping carnage.
Troubled and alone, a boxer moves in with his long-lost mother and autistic pianist brother — but must fit in with a family he hasn’t known for years.
Hakeem and A-Mac are like brothers. Together facing immigrant life in Montreal, while ‘spotting’ cars after school. Boost gives us a glimpse into the awkward adventures of teenage boyhood, then the jolt, when that innocence ends abruptly.
A young kid (Pinkston) is forced to live out the lies he told to become popular.
In rural Connecticut, baseball players Ben and Mickey are trying to survive a zombie plague. They are forced to form a battery: a catcher and a pitcher who work together to outwit the batter, the one who hits the ball. And the batter in this case just happens to be a zombie. Tough Ben and gentle Mickey frequently disagree on the best way to go about the situation. Then they suddenly hear a human voice through their walkie-talkies. Is salvation nearby, like Mickey thinks, or is Ben’s suspicion justified?
After losing his wife, a man reunites with his church buddies to film the hunting show they’ve always wanted to make together. Before long, he senses a dark presence in the woods eventually bringing him face to face with death and his faith.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Catherine’s seemingly perfect rural life is turned upside down after she discovers her husband is hiding a dark secret that leads her to the unthinkable: murder.