After a surfer dies off Morro Bay, Calif., on Christmas Eve, shark attack investigators Ralph Collier and Brandon McMillan use forensic evidence and eyewitness accounts to identify the suspected killer: an 18-foot great white.

British rock icon John Lydon and fellow bandmates recall the years they spent performing as Public Image Ltd.

OUR GODFATHER is a feature-length documentary about Tommaso Buscetta, the first high-ranking Italian mafia boss ever to turn against Cosa Nostra. Buscetta helped convict more than 400 Mafiosi. He became the Mob’s most wanted man in the world – and 11 members of his family were killed. “He was the most important, protected and endangered witness in US criminal history” The film tells – for the first time- the Buscetta story with exclusive access to his family, which is breaking its silence after 30 years in hiding.

A documentary chronicling The Tragically Hip during the emotional lead up through to the epic last show of the iconic Canadian band’s now legendary 2016 tour.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

Denise Crosby takes a first look at the huge fans of “Star Trek” from around America and how the series has affected and shaped their lives.

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It’s 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the “Rumble in the Jungle” is set, including a musical festival featuring some of America’s top black performers, like James Brown and B.B. King.

A visual journey into the life and legacy of one of Australia’s most celebrated artists, Brett Whiteley.

In the First World War, alongside the men fought an army of animals. Mules, oxen, dogs, horses, pigs, pigeons were used for moving units and materials, communications, and for the support of the troops. The forced cohabitation with men closer to each other in a possible fate of death and suffering: officers and enlisted men had the opportunity to give and receive affection, but also to deal with beings weak and completely dependent on their . Animals in the Great War offers an unconventional story of dramatic conflict, through letters, diaries and photographs taken by the fighters, and collected in the book that Lucio Fabi has derived from his research, The good soldier mule (ed. MURSIA). A documentary rebuild memories, stories, episodes of real life relationship, in and out of the trench, between humans and animals, including incredible moments of absolute serenity and tenderness, alternating the background of one of the most tragic periods in modern history.

We all love food. As a society, we devour countless cooking shows, culinary magazines and foodie blogs. So how could we possibly be throwing nearly 50% of it in the trash? Filmmakers and food lovers Jen and Grant dive into the issue of waste from farm, through retail, all the way to the back of their own fridge. After catching a glimpse of the billions of dollars of good food that is tossed each year in North America, they pledge to quit grocery shopping and survive only on discarded food. What they find is truly shocking.