Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He’s cruel: facing death, he pushes people away – what’s the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother’s, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat – his lover has left. Can Jany’s proposition give him a way to move past self-pity?

Anna is an accountant for an important insurance firm and lives with her longterm lover Alessio – a man who longs for a stable longterm relationship with children, home, etc. Anna, feeling as though the fire has fizzled in that relationship takes up with co-worker Domenico and the two begin a passionate affair.

As she and her family embark on a short vacation, a young Chilean girl slowly comes to the realization that her parents might be splitting up.

The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.

A man on the run from his ex-lover, who has sworn to kill him, takes refuge in a rural bar, where he finds an unlikely ally in the local bartender. As the man opens up to the bartender over many rounds, the bartender – who is battling demons of his own – begins to wonder if the man is merely a victim of circumstance… or if he’s hiding a much darker secret.

When 12-year-old Jonas’ mother leaves to “fight her demons”, he steps up as head of the household, becoming the unofficial guardian to his younger siblings. With food and money running out, the children retreat into a world of their own where, cloaked eerily in black-and-white, their home turns into one of bugs and mysticism – they make saucepan gardens, they take on insects as pets and spiderwebs encroach. Only the friendship of an odd young homeless man gives Jonas hope to survive in an adult’s world.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

A couple’s life becomes complicated when people get involved with their troublesome son.

What is the meaning of life? What is love, humor, fear and death? Is it all just a dream? Who are we? Will we wake up, will we remember? Do beings from other dimensions help us? Can we finally understand the purpose of the Game? Who is the Creator? Where is the Kingdom of God? The new feature movie called The Meaning and Mystery of Life is looking for answers to these questions and many others as well. Question for Petr Vachler, the author of the story and screenplay, and the movie director: Why did you decide to make such an author-pronounced movie? “As a small kid I used to hide behind the house and cry because there was an end to everything, and there would be NOTHING afterwards. But what was that big NOTHING? This question accompanied me all my life, probably just like it has to the majority of us all.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman’s beloved woman escapes the village life and moves to the city. Postman’s outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters’ stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

In 2012, Atsuya (Ryosuke Yamada) and his 2 childhood friends do something bad and run into an old general store. They decide to stay there until the morning. Late into the night, Atsuya sees a letter in the mailbox. The letter is addressed to the Namiya General Store and the letter was written by someone to consult about worries. Incredibly, the letter was written 32 years ago. The mailbox is somehow connected to the year 1980. Atsuya and his friends decide to write a reply and place their letter in the mailbox.