Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again.
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With Istanbul mired in political violence, Kadir is offered release after 15 years in prison if he’ll work as an informant. In a shantytown he stumbles upon his brother Ahmet, working for the city rounding up stray dogs and shutting himself in his home.
A haunted Vietnam veteran, living in exile in the forests of the Pacific Northwest, is faced with a life-changing decision after he is visited by a former platoon member and his young Amerasian daughter.
To escape her abusive boyfriend, Kat joins a wilderness expedition with a group of women, all of whom are struggling with the uncertainty of life. What was supposed to be an opportunity for personal discovery quickly becomes a fight for survival, forcing each one to discover the strength within themselves that they didn’t even know they possessed. While being brazenly chased by a pack of predators, the strong quickly set themselves apart from the weak. In a battle of will, stamina, and heart, these very virtues present themselves at the most crucial moment. With death looming, each is left with what is truly important – the strength within oneself.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors leave Letty increasingly disturbed.
After relocating to New York, former lovers feel the pull of romance once again.
Bella sees her parents killed during a home invasion. Afterwards, she keeps waking up in a strange white room and the past keeps playing over and over. Bella must solve the mystery of the White Room and move on, but to where?
When Sarah lucks into a sweet one-bedroom at Asilo Del Mar Apartments in Los Angeles, she think she’s hit the jackpot. It’s got plenty of space, friendly tenants, group BBQs and even a cute neighbour next door. All is not what it seems: loud noises start keeping her awake at night; her cat is missing; everyone seems to be a little too helpful and friendly, except for the weirdo, Lester. Soon, Sarah learns she didn’t choose this apartment — it chose her.
A naive young girl, looking to escape from a bad family situation, falls in love with a man who turns out to be a cad, and leads her down the road to ruin.