In a moment of desperation, Ruby Chase makes a vow of servitude to a monster (Frank). She breaks her vow by committing suicide, setting Frank on a course of bloody revenge against the people she loved the most.
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Due to financial problems, Yilmaz family moves in their grandmother Saadet’s house. But Saadet is not living alone as known. Saadet’s old house, which is also a tomb of her deceased husband, is inhabited by beings from another dimension. And this beings don’t want anyone in the house, but Saadet.
After his family moves to a new house, a young boy discovers a mysterious book that details a curse hanging over the date of Saturday the 14th. Opening the book releases a band of monsters into the house and the family must join together to save themselves and their neighborhood.
When Jacob tells Jesus that his son, Lazarus, is dead, Jesus goes to his home to resurrect him. Only, this is the first time that Jesus has ever tried to bring back someone from the dead. You do not always get it right the first time. What follows is a gore-tastic nine minutes of Biblical splatter violence and comedy. Even our Lord and Savior goofs up once and a while. But he makes amends. Big time.
7 years has passed since Heather and Morgan survived the terror in Hotel Fear. But the nightmare is not over. Hotel Fear is about to re open and Heather who is now a very successful author has been asked to return to where it all began. Waiting within the walls is Travis McLennon. Heather finds herself once again fighting to survive only this time Travis is coming for her and no where is safe.
Fed up with her parents’ bickering, poor-little-rich-girl Maya (Dylan Penn) moves in with her boyfriend who is squatting in an old, condemned building on Manhattan’s Lower East Side. With neighbors that are meth heads, junkies and degenerates, this depraved hell hole is even more toxic than it appears: After a virus born from their combined noxious waste and garbage infects the building’s residents, one by one, they succumb to a terrifying pathogen that turns them into bloodthirsty, rampaging killers and transforms their building into a savage slaughterhouse.
A man becomes entangled in a deadly morality game when the circus comes to town and a sadistic clown forces him to examine the things in life he takes for granted in the most horrific ways.
In a small town in 1970s West Germany, Stephanie is raised by two parents who have no business having children. The mother suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter. Young Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.
Separated from her fiance after sneaking onto a restricted slope, Mia, a free riding snowboarder, must survive not only against nature, but the masked snowmobile rider in black who’s out for her blood.
Taunted by visions of Mary Magdalene, who reveals the confessions of the younger nuns at the convent, the Mother Superior’s mind is filled with the violent, sexual acts of her fellow sisters.
After a man’s family dies in what appears to be a murder, he gets a phone call from one of the dead, his niece. He’s not sure if she’s a ghost or if he’s going mad – but as it turns out, he’s not. Instead, her calls help him rewrite history.
