A moral discussion between sexes arises when an aspiring photographer secretly takes pictures of his barely dressed neighbour in the search for his artistic expression.
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A lonely, down-on-her-luck waitress meets a handsome, quirky jewelry store clerk and thinks that maybe, finally, she’s met Mr. Right. The more Molly (Alexis Bledel) gets to know Gus (Zachary Levi), the more she’s intrigued by him. But she’s also mystified. Gus is absent-minded, preoccupied. Is he hiding something? The short answer is: yes. He’s reluctant to share with her that since suffering a brain aneurysm, he’s totally lost his short-term memory. Every day is a brand new day, his life starts anew. Every day he sees Molly he struggles to remember who she is and what she represents. Every day, he has to fall in love with her all over again.
Kate Parks has spent the past year on tour promoting her book, an in-depth look at the attempted cover up of her husband’s death in a plane crash. Now all she wants is to return home to her daughter, 15-year-old Samantha. But when a powerful solar flare strikes her flight home, killing the pilot, knocking out the co-pilot and frying all the electronic systems on the plane, it looks like she may not get there. As panic sets in among the passengers, Kate works with flight attendant Jake to manage the growing chaos and tension on the plane as she tries to keep 30,000 tons of steel hurtling through the air at 500 miles per hour. Flying blind, Kate tries to find a way to communicate with air traffic control – one way or another, this plane is coming down. With the passengers’ lives on the line, Kate will have to find a way to land safely… or never see her daughter again.
Jesse and Claude are two extreme sports athletes, two riders in continuous challenge and search for money. When they find out of the enigmatic proposal for a mysterious contest by an unknown organization, Black Babylon, they can’t turn down the $ 150,000 prize. But the “contest” will turn out to be much darker and deadlier than expected.
“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.
GHOUL is a supernatural horror film involving the real life story of the Soviet Union’s most violent serial killer, Andrei Chikatilo. Three Americans travel to the Ukraine to film a documentary about the cannibalism epidemic that swept through the country during the famine of 1932. After being lured deep into the Ukraine forest for an interview with one of the last known survivors, they quickly find themselves trapped in a supernatural hunting ground.
Set in the world of mega-churches in which a former Deadhead-turned-born again-Christian finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.
Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
A data courier, literally carrying a data package inside his head, must deliver it before he dies from the burden or is killed by the Yakuza. In a dystopian 2021, Johnny (Keanu Reeves) is a data trafficker who has an implant that allows him to securely store data too sensitive for regular computer networks. On one delivery run, he accepts a package that not only exceeds the implant’s safety limits – and will kill him if the data is not removed in time – but also contains information far more important and valuable than he had ever imagined. On a race against time, he must avoid the assassins sent to kill him and remove the data before it, too, ends his life.