Charlie Brooker’s 2016 Wipe 2016 TV Movie

Anoosh and Arash are at the center of Tehran’s underground techno scene. Tired of hiding from the police and their stagnating career, they organize one last manic techno rave under dangerous circumstances in the desert. Back in Tehran they try their luck selling their illegally printed music album without permission. When Anoosh is arrested, there seems to be no hope left. But then they receive a phone call from the biggest techno festival in the world. Once landed in Switzerland, the haze of the instant euphoria evaporates quickly when the seriousness of the situation starts to dawn on them.

When a tragedy strikes the worlds most unique skate park, a dogged group of old school skaters, BMXers and street artists team up to fight for its survival.

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith’s great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith’s paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith’s work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith’s buried life, return the work to Provincetown and have Edith’s contributions recognized by the larger art world.

A revolutionary film about the cinematic genius of North Korea’s late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart – a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.

The story of the rise to glory of boxer Joe Calzaghe.

“Wishful Drinking” is based on Fisher’s memoirs of the same title. The stage adaptation had its world premiere in 2006 at the Geffen Playhouse in L.A. It later played at Berkeley Repertory before opening on Broadway in October at Studio 54. The show takes audiences on a comic tour of Fisher’s messy personal life and career. The actress-writer recounts stories about her work on the “Star Wars” series as well as her relationship with her parents Eddie Fisher and Debbie Reynolds. She also discusses her much-publicized problems with alcohol and drugs.

Can the Holy Spirit direct a movie? In this emotional follow up to the popular and controversial Holy Ghost, Director Darren Wilson continues his journey around the world in his quest to make a movie that is completely led by the Holy Spirit.

NOTFILM is a feature-length experimental essay on FILM — its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications — utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

American viewers may know him best as the British correspondent on “The Daily Show,” but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.

In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, “Deep Throat,” starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film’s star.

The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.