Migrant workers working in the UK as Fatih Ayhan still running mate in the UK, has received large amounts of debt to send to his family in Turkey. The payment of this debt even after the Conqueror’s return to Turkey will be requested during a visit to the family by Ayhan from Turkey. Claiming this debt ignites a wick within the family that lives in the same building and with intertwined economic interests. All clashes between family members come to the fore.
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When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Set in a geriatric ward within a small hospital, when news of its closure begins to reach the community, the hospital invites a local news crew to document their planning of a concert in honor of the hospital’s most celebrated nurse. But there might be something more threatening to the hospital itself, more deadly than the politicians ready to shut down the place at a moment’s notice.
A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.
A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She’s not his mother, he’s not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother’s love for her child.
Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.
2009. Michel Djerzinski, a genius researcher specialized in molecular biology, mysteriously disappears in Ireland. His latest discoveries would have opened the way to a major upheaval in the history of human genetics. This is the occasion for a dizzying plunge in time where we discover his half-brother Bruno, a tortured joker who will meet love in a post-sixties campsite, Janine, Bruno’s and Michel’s mother, a former hippie who has always refused to raise her children in a conventional way, and Annabelle, with whom Michel will fall in love as a child.
Longing for excitement in her daily routine, bored bank teller Brigitta becomes mesmerized by the mysterious charmer Bize.
Growing up in a rural town filled with violent delinquents, Jack has learned to do what it takes to survive, despite having an oblivious mother and no father. After his aunt falls ill and a younger cousin comes to stay with him, the hardened 15-year-old discovers the importance of friendship, family, and looking for happiness even in the most desolate of circumstances.
Film about a group of aid workers trying to resolve a crisis in an armed conflict zone in the Balkans.
The story of 16-year-old Kayla Adams, whose mother, Karen is advised by the school’s counselor to send Kayla to get treatment at a youth residential treatment center after she gets expelled from school. Kayla arrives at the Utah facility on the same day as her roommate Amanda, a treatment program veteran who knows exactly what the girls were in for. Led by headmistress Miss Connie, the staff uses draconian methods including force-feeding medications, arbitrary punishments, solitary confinement, verbal and physical abuse to keep the students in line. After being pushed to their limits and stripped of their lifelines, including any ability to freely communicate with the outside world, the two young women must band together to survive and fight to expose the abuse before it’s too late.