A troubled family must face facts when tragedy strikes their son’s desolate military post.
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Michelle Miller is a chronic sleepwalker. She and her husband Dan Miller are trying to have their first child after she had a miscarriage the year before. One night she sleepwalks into the bedroom of her neighbor Luke Williams while his wife Nancy is out of town. They have sex; she is unaware of this but he not only knows about it but falls madly in love with Michelle and decides he wants to leave Nancy for her. Michelle gets pregnant, but doesn’t know whether the baby is Dan’s or Luke’s.
Richard Widmark plays a hardened cold-war warrior and captain of the American destroyer USS Bedford. Sidney Poitier is a reporter given permission to interview the captain during a routine patrol. Poitier gets more than he bargained for when the Bedford discovers a Soviet sub in the depths and the captain begins a relentless pursuit, pushing his crew, and the on-screen tension, to breaking point in this chilling cold-war tale of cat and mouse.
An unemployed executive is forced to sell his apartment. When he discovers that he still has the keys, he becomes obsessed with the family that now lives there and decides to recover the life he has lost, at any price.
Desperate to escape the trappings of her small coastal farming town, 16-year-old Abby falls for the lead singer of a touring rock band and must decide whether or not to leave her family and friends behind. With live music performances and an exciting ensemble cast, COAST is about female friendships, finding your truth, and letting the music take you home.
The story follows a 16-year-old Icelandic boy, Ari, who lives with his mother in Reykjavík, She has to leave the country for a new job, sending him back to the small town of his youth. There he finds his old friend, suddenly a young woman with a tricky romantic relationship; and his father has become a victim of the financial crisis.
The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081 putting the entire country under Martial Law.
A short Arizona motorcycle cop gets his wish and is promoted to Homicide following the mysterious murder of a hermit. He is forced to confront his illusions about himself and those around him in order to solve the case, eventually returning to solitude in the desert.
“Hankyu Densha” follows the lives of various people who commute on Hankyu Railway’s Imazu Line – connecting the cities of Nishinomiya and Takarazuka in Hyogo prefecture. One of the commuters is Shoko (Miki Nakatani), an office worker in her 30s who lost her boyfriend to a younger colleague. There’s also a college student (Erika Toda) who is so easily persuaded by her no good boyfriend. Other commuters include a grandmother & granddaughter, a house wife, a female high school student, and a female otaku college student. Although the train ride takes only 15 minutes between two stations, the lives of these commuters are changed as they interact with each other…
It seems innocent enough. Struggling young artist Daniel King is invited by his childhood friend Natasha…
Hallie Parker and Annie James are identical twins separated at a young age because of their parents’ divorce. unknowingly to their parents, the girls are sent to the same summer camp where they meet, discover the truth about themselves, and then plot with each other to switch places. Hallie meets her mother, and Annie meets her father for the first time in years.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
