Urban horticulturalist Brontë Mitchell has her eye on a gorgeous apartment, but the building’s board will rent it only to a married couple. Georges Fauré, a waiter from France whose visa is expiring, needs to marry an American woman to stay in the country. Their marriage of convenience turns into a burden when they must live together to allay the suspicions of the immigration service, as the polar opposites grate on each other’s nerves.

SHOOTING FOR SOCRATES is a David Vs. Goliath set in Belfast against the backdrop of the 1986 World Cup. It tells the story of a momentous time in Northern Ireland’s football history through the eyes of players, fans and the media. The film also follows the lives of passionate football supporter Arthur and his son Tommy from East Belfast. The lead up to a momentous day in the life of a young boy (his 10th birthday) mirrors the build up to the big day for the Northern Ireland football team as they play the greatest match of their lives.

Sargad is about a young woman, Elina, that drives to a cabin with her mom and younger sister to spread her dad’s ashes. They encounter three brothers that will make their weekend a living hell.

A noir thriller set in Miami, the film follows an enforcer who discovers his femme fatale boss has branched out into cyber sex trafficking, putting a young runaway he’s befriended at risk. He sacrifices everything to save the young girl from the deadly organization he’s spent his life building.

Two out-of-work actors — the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail — spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday “by mistake” at the country house of Withnail’s flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

Follows a young boy who runs away from home in the search of his estranged mother.

Two families that hated each other for years are forced to spend Christmas together.

Two estranged brothers are brought back together by the death of their mother. Her dying wish is to see them return to their birthplace and reunite with their abusive, alcoholic father. They set out on a journey that leads them to their hometown full of dark memories that the younger brother doesn’t remember and the older brother wants to forget. As each brother reconnects to the town and its people, they struggle to find the meaning of home, both for those who stay and for those who leave. Ultimately, they must confront the memory and the man of their father and are forced to choose between forgiveness and bitterness. ‘Generational Sins’ explores themes of home, grace, and forgiveness and how these ideas impact the decisions we make and the ramifications they have on people’s lives.

A group of female freedom-fighters led by Karine Levere is caught by the warden of a women’s prison, located somwhere in the South American jungle. None of them will reveal the secrets of their organisation or the names of their collaborators in the cities, so they are handed over to Dr. Costa who, after four years inactivity in Europe, is delighted to be able to practice his torture techniques once more. Laverne fails to resist the inhuman treatments and reveals all. The only hope of saving the organization is for the girls to warn the city cell before it’s too late. They trick the prison guard into having sex with them, knock him out and break out of prison. The warden and Dr. Costa must prevent them from revealing the practices inside the prison. The hunt is on and it’s shoot to kill…

Satan Said Dance is an Instagram film in times of the selfie. A kaleidoscope of moments from life of Karolina – a scandalous writer obsessed with parties, drugs, sexuality and complex relationships, on her way to self-destruction.

When 50-year-old Milena finds out about the terrible past of her seemingly ideal husband, while simultaneously learning of her own cancer diagnosis, she begins an awakening from the suburban paradise she has been living in.

Yorkshire, 1978. A mother, father and their three year old son are brutally stabbed to death while they sleep. There is no motive. They were a model family. The nation is outraged by the senseless killings. Incredibly, the British public are overwhelmingly in favour of bringing back the death penalty to see justice carried out. Even more incredibly the killer, who is caught red-handed trying to drag the father’s body out of the house, manages to hide the three year old’s body in a place where the investigators, the police and even their dog teams would never find it. For months all the nation can talk about is the “Kid Killer” but, and this is the most incredible fact of all, not because he cold-bloodedly stabbed to death a three year old, his mother and his father, but because these innocent victims were also his family. The “Kid Killer” was their twelve year old son William.