Everyone knows the men who were executed in 1916, but seven of them left behind wives and children. Left in the shadows of their dead husbands, the stories of these women have never been told before on national television.
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A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.
At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
The unbelievable true story of Chelly Wilson, who escaped the Holocaust and built a porn cinema empire in New York City in the 1970s. Chelly was a Greek-born, Christmas-celebrating, Jewish grandma, who married men but was openly gay. This documentary charts her unlikely rise to wealth as a shrewd businesswoman on “The Deuce,” aka New York’s infamous 42nd Street.
How does a 16 year-old evolve into a bank robber?
Black Metal Veins unflinchingly documents the dark realities of despair and morbid self annihilation surrounding the lives of five heroin junkies. The addicts’ intertwining stories of pain, loss, sadness, and abandonment lead the viewer down the agonizing and hideous path of horrifying psychological and spiritual destruction as the grim disease of heroin addiction infects and decays the bodies and minds of five young people.
Retail investors and twin brothers Finley and Quinn Mulligan give an insider look at the GameStop “short squeeze” and the “Apes” fighting for transparency and accountability in our corrupt capital markets.
Alexis Conran puts electric cars to the test in order to find the best ones on the global market.
9th CIRCUIT COWBOY is the story of Judge Harry Pregerson who, for almost half a century, served on California’s famously liberal 9th Circuit Court of Appeals.
American: The Bill Hicks Story is a biographical documentary film on the life of comedian Bill Hicks. The film was produced by Matt Harlock and Paul Thomas, and features archival footage and interviews with family and friends, including Kevin Booth. The filmmakers used a cut-and-paste animation technique to add movement to a large collection of still pictures used to document events in Hicks’ life. The film made its North American premiere at the 2010 South by Southwest Film Festival. The film was nominated for a 2010 Grierson British Documentary Award for the “Most Entertaining Documentary” category. It was also nominated for Best Graphics and Animation category in the 2011 Cinema Eye Awards. Awards won include The Dallas Film Festivals Texas Filmmaker Award, at Little Rock The Oxford American’s Best Southern Film Award, and Best Documentary at the Downtown LA Film Festival. On Rotten Tomatoes, 81% of the first 47 reviews counted were rated positive.
Despite having just 40,000 residents and limited financial resources, the Schwäbisch Hall Unicorns have been able to compete at the highest level of football in all of Europe. But as more money floods into the sport, coaches and fans must face the question: has this team become a relic of the past or can their remarkable culture propel them beyond the constraints of reality?
Join Athena, the majestic matriarch, as she leads her elephant herd across an unforgiving African landscape.
Through the eyes of funeral director Isaiah Owens, the beauty and grace of African-American funerals are brought to life. Filmed at Owens Funeral Home in New York City’s historic Harlem neighborhood, Homegoings takes an up-close look at the rarely seen world of undertaking in the black community, where funeral rites draw on a rich palette of tradition, history and celebration. Combining cinéma vérité with intimate interviews and archival photographs, the film paints a portrait of the dearly departed, their grieving families and a man who sends loved ones “home.”
