A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it – but not everything goes according to plan…

A grandmother seeks a governess for her 16 year old granddaughter, Laurel, who manages to drive away each and every one so far by exposing their past, with a record of three in one week! When an applicant with a mysterious past manages to get the job, Laurel vows to expose her. Meanwhile, Laurel’s married-divorced-married mother tries to get her back.

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents’ home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.

Na’ama is seventeen. She lives in a sleepy suburbia. She is bored. With detached parents and a rebellious older sister, her life at home is a mess. It all changes when a new girl appears at school. She’s introduced to a world of drugs, lesbians and sex. She’s thrilled. Her life, at last, becomes exciting. Is it going to last? “Barash” is a coming of age story, planted in the heart of Israeli society, about a young woman who struggles to find her self-identity in an environment that has different ideas about sex, drugs and love.

“Strange Harbor ” – A Swedish cargo ship is in the winter of 1938 at the dock in Gdynia in Poland, waiting to depart with coal to Sweden. In a tavern in the port a Polish dockworkers tries to tell something to the Swedish sailors, but is rudely turned away by the tavern owner. Later in the evening the port worker is found dead. That same evening one of the Swedish sailors, meets a Jewish woman who has fled Nazi Germany.

Rural United States and modern urban Mexico meet in this tale of restlessness, secrets, and a very promising southward journey to reunite a family ruptured by a brutal tragedy.

Two “ride or die” sisters raised in NYC reunite with their estranged brother in Dominican Republic to clean out their late father’s childhood home. The siblings laugh, brawl, and face their demons as they come to terms with letting go of their last connection to their motherland.

The Evil Dead meets Scream as an evil professor, through an ancient staff and a book of incantation, possesses the bodies of a group of fraterity and sorority pledges during a night of “hazing” activities in an abandoned mansion. When the students meet one grisly death after another, the survivors finally realize it’s the professor who is possessing their friends and killing them all off. Now none of them trust each other– is it their friends or puppets of the professor that they’re hanging with? Somone better figure it out quick… or none of them will make it through the hellish night of The Hazing!

A raunchy Vampire Musical. The sexy-violent musical is full of hot dancing, drug addled nymphettes, existential zombies and gallons of blood. A Zappa Zombie trying to kill a Backstreet Boy Vampire…no really.

Desperate filmmaker Osric Taylor dreams of making his civil war Hamlet but when production funding dries up, he agrees to take southern matron Hester Beauchamps offer to fund the film if he throws some zombies in it to make their money back. But when Hester dies in mid shoot, Osric dresses up as Hester to cash the last check and awakens the suspicions of both the local police and ambitious local news reporter Shine Reynolds. Inspired by an actual incident.

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

Two talented dancers become swept going on in a tumultuous association that spirals into compulsion.