Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.
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Sandra lives in a small apartment in Paris with her eight-year-old daughter. She regularly visits her father, Georg, who suffers from a neurodegenerative disease that undermines his capacities day by day. While she embarks with her family on an obstacle course through nursing homes to install Georg in a safe place, Sandra unexpectedly runs into Clément. Although he is not free, a passionate relationship begins.
A group of high-school students forms a band even though they’re not remotely gifted with music. Their intention is to be cool and attract girls. But when a pretty young student turns up and wants to join the band as a guitarist, things start to get interesting.
A group of elite soldiers, including one woman, sign up for the ultimate training mission. The group parachutes onto a remote island, where their objective is to reach the safety zone before the “opposing force” captures them. Everything does not go as expected, and the training mission turns into the real thing.
An attention-seeking psychic is kidnapped and tries to use the situation to boost his popularity.
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume’s tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual… until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas’ troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.
Australian small-town cop Gary (Eck) enjoys his nearly pastoral existence, with traffic violations providing the major excitement to his normally low-key days. While away from work, Gary spends a good deal of time fantasizing about local news reporter Julia (Kirstie Hutton), who would just as soon relocate to the thriving metropolis of Sydney. Soon, however, a motorcyclist is found decapitated, with a construction worker, a sailor, and a cowboy and Indian also meeting the same fate. With some murderous weirdo with some sort of Village People fixation terrorizing the town, Gary — with the help of big-wig city detective and Don Johnson-wannabe Tony Charles (Mir) — begins to realize that a cop is the last remaining victim to be murdered in order for the killings to be complete. …
Based on the bestselling book by Andrew Ross Sorkin, ‘Too Big to Fail’ offers an intimate look at the epochal financial crisis of 2008 and the powerful men and women who decided the fate of the world’s economy in a matter of a few weeks.
Lynn and Lucy are lifelong best friends, their relationship as intense as any romance. Neither has ventured far from where they grew up. Lynn, who married her first boyfriend and whose daughter is fast growing up, is delighted when the charismatic, volatile Lucy has her first baby boy. Lucy, however, does not react to being a mother as Lynn expects. Soon, they find their friendship is tested in extreme circumstances.
