A down-on-his-luck publicist discovers a recently released mental health patient who looks just like a misbehaving movie star. The publicist subs him into a film, creating a new star. But fame and fortune are not all they are cracked up to be.
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The Enos duo convince Cletus, aka The Bandit, to come out of hiding and help them promote their new restaurant. With a little coaxing, he agrees, producing an almost-creaky Trigger as his mode of transport. But his nemesis, Sheriff Buford T. Justice, is on the hunt, forcing Cletus and Trigger to hit the road. Can they steer clear of the vengeful sheriff?
Returning from a hunting trip in the forest, the Henderson family’s car hits an animal in the road. At first they fear it was a man, but when they examine the “body” they find it’s a “bigfoot”. They think it’s dead so they decide to take it home (there could be some money in this). As you guessed, it isn’t dead. Far from being the ferocious monster they fear “Harry” to be, he’s a friendly giant.
An awkward adolescent boy and his angst-ridden friends try their best to fit in amongst a cast of varied characters.
A stifled, small-town man stuck in a dead end life, runs away to Mexico to be a mariachi singer. MARIACHI GRINGO is a musical tour-de-force exploring the reality of “following your dreams” across cultural, personal, social and geographical borders.
Tang Wei plays Jiajia, a young woman in Beijing who lives a luxurious life provided by her wealthy boyfriend. When Jiajia got pregnant, she goes to the United States, hoping that the baby will be born an American citizen. While waiting for the baby’s arrival, Jiajia loses contact with her boyfriend and suddenly finds that she is unable to make end meets. At this point, she meets Frank, played by Wu Xiubo, who offers help and makes her think twice about who her Mr. Right really is.
In this bifurcated crime narrative, a disillusioned hitman attempts to escape from his violent lifestyle against the wishes of his partner, who is infatuated with him, and an eccentric mute repeatedly encounters, then subsequently falls for a depressed woman looking for the prostitute who supposedly stole her ex-boyfriend’s affections.
Jeff Dunham and his iconic creations, Achmed the Dead Terrorist, Walter, Peanut, and Bubba J. have embarked on an unprecedented world tour that has Dunham touching five continents, logging almost 100,000 miles and starring in arenas where few American comedians have dared to perform. Tell the wrong joke in Singapore or United Arab Emirates and risk being handcuffed before you ever leave the stage. Bring Achmed the Dead Terrorist on stage in Malaysia after a government warning forbidding his presence, and you may begin an indefinite vacation in Kuala Lumpur. While Dunham collects and crafts pop culture references that can excite a local audience upon entering each country – Achmed on this trepidation of returning to the Middle East, Walter’s (lack of) understanding of current race relations in South Africa, Bubba J. finding kindred spirits in Australia – Jeff shows that humor is truly universal. Most of the time.
Life has its downs for James, living with his mom in Chicago at 39, an aging performer at Second City, eating and weighing too much. A woman he’s been dating drops him, as does his agent, her brother. James turns down roles in local TV, roles that make him sad. Someone’s remaking his favorite movie, “Marty,” a role he’d love, but he doesn’t even get an audition.
In her first HBO comedy special since 2013’s acclaimed “Sarah Silverman: We Are Miracles,” Sarah Silverman showcases her fearless chutzpah in a performance filmed at The Wilbur Theater in Boston.
In this cult film, Azure St. Clair, a neurotic vampiress who is deathly allergic to blood, must protect her only source of food, the VAMPIE (a vampire pie), from a dark vampiric order that wants to use the powers of this deadly pie to revive the dead and enslave the world.