The feature film based on Eduard Bornhöhe’s story takes the viewer to the early days of the 20th century, when Estonia was still part of the tsarist Russia. Pride in one’s nation was emerging and the desire to give something eternal to one’s people at any cost – be it a miracle machine flying in the air or valuable literature written in the language of the country. Unfortunately, it was not that easy and sometimes there was lack of talent.
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Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated — since Maggie’s family is unaware of her sexual orientation, and Maggie is not open to sharing that information.
Failing to succeed both as a pianist and a piano teacher, Ritsuki accepts a job at a cleaning service that specializes in clearing out cluttered apartments. He is not only confronted by loads of trash but also by dark secrets.
In a construction site under the full moon, construction workers dig too deep and inadvertently wake up Joe (Alex Lam), a vampire that has been lying underground for a century. Dazzled by the vibrancy of a modern city at night, Joe wanders around and runs into Apple (J. Arie), a jilted girl planning to kill herself. Eager for a taste of blood, Joe follows her home and helps her and her grandmother get rid of thugs sent by a real estate developer who wish to buy them off. What started as a battle for property turns out to be a battle among vampires.
The police station used to be the army club during the Japanese occupation of Hong Kong. Many Japanese officers committed hara kiri there on V-J Day. The old building thus became a ghost house. Petty thief Ming is detained in the basement. It is the Ghost Festival when ghosts are allowed one night’s leave. The Colonel shows up and bites Ming, who becomes a vampire.
Three couples who know one another are stuck at home during the beginning of lockdown. Jonathan, Clarissa and Paul will see their lives turned upside-down, forced to look at each other and ultimately at themselves.
When a reluctant bride-to-be’s fiance drops dead, she insists on going ahead with the wedding anyway – vowing to overcome public opinion, the law of the land, and her loved one’s objections.
Harvie is a smart but a bit too lively boy with one ambition, to finish the last level of his computer game. Once in the Gamers Hall of Fame, his absent-minded father, would finally be proud of him. But finishing the game turns out to be only the start of a real adventure that takes Harvie, his dog Jerry, and his friend Monica deep into the forgotten realms of the city’s old puppet museum.
Sam Morril, in his distinct laid-back style, effortlessly riffs on the worst person he’s ever dated, the complications of getting older, and his perspective on everything from cable news to the perils of social media in this punchline-heavy comedy special.
Follows a group of high school students growing up in southern California, based on the real-life adventures chronicled by Cameron Crowe. Stacy Hamilton and Mark Ratner are looking for a love interest, and are helped along by their older classmates, Linda Barrett and Mike Damone, respectively. The center of the film is held by Jeff Spicoli, a perpetually stoned surfer dude who faces off with the resolute Mr. Hand, who is convinced that everyone is on dope.
Flint is again called out of retirement when his old boss finds that he seems to have missed 90 seconds while golfing with the president. Flint finds that the president has been replaced by an actor (Flint’s line [with a wistful look] is “An Actor as President?”) Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own.
Eva, 20, joins Safietou, Djaoua, Violette and Simone, a team of chambermaids at one of Paris’s finest Palace Hotels. She discovers the poor working conditions of these invisible women, who work tirelessly to keep the high standards of these luxurious hotels, where one night can cost their annual salary. Many are not even employed by the hotels directly but by sub-contractors, and are therefore particularly vulnerable. While on strike to fight against subcontracting and to obtain better working conditions, they come up with a colorful idea : having their own “Fashion Week” in front of the hotel!