An intimate concert film, in which Taylor Swift performs each song from her album ‘folklore’ in order, as she reveals the meaning and the stories behind all 17 tracks for the very first time.
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LYNCH: A HISTORY deploys a trove of media footage to explore the legacy of nonconformist NFL star and Oakland Raiders running-back Marshawn Lynch. Culled from nearly a thousand video clips, placed in rapid dramatic juxtaposition, the film becomes a powerful political parable about our media system and its ties to the racial oppressions of our time.
Sex is a huge part of our lives, our very existence depends on it. Yet it’s treated and practiced differently in every society. Explore sexuality down under, from the extraordinary to the taboo, in this fascinating must see documentary revealing the sexual traditions and practices of people in Australia.
From the Montana Rockies to the wheat fields of Kansas and the Gulf of Mexico, families who work the land and sea are crossing political divides to find unexpected ways to protect the natural resources vital to their livelihoods. These are the new heroes of conservation, deep in America’s heartland.
Through raw, revealing footage and interviews with fugitive tech pioneer John McAfee, this documentary uncovers new layers of his wild years on the run.
Sara Shaw is the type of woman who prefers to sit on the sidelines at work, but when her big idea for a Christmas initiative is stolen, she makes a wish to Santa that she’ll finally have the courage to stand up for herself. Santa grants her wish, but only gives her 48 hours. As the clock ticks, Sara will discover how to channel the Christmas magic and speak her mind all on her own.
The fourth in King Flex Entertainment’s documentary film series about racism.
Using a specially designed transparent ‘canvas’ to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete.
After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.
Best friends Mimmi and Rönkkö support each other unconditionally. They want to live adventurous lives, loaded with experiences and passion. Emma on the contrary has given her whole life to figure skating. Nothing gets between her and success. But when the girls meet, life opens whole new paths, and they all rocket in new directions. While Mimmi and Emma experience the earth moving effects of first love, Rönkkö is on a quest to find pleasure. Three Fridays is all it takes to turn their worlds upside down.
A feature-length documentary to show why Britain should vote to LEAVE the EU – and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
After a love affair ends badly, a young Parisian named Paul sinks into the same kind of deep depression that led his sister to kill herself. He moves back home with his father and aimless brother Jonathan but refuses to get out of bed.
Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.