The world’s farmland is at risk. Demand for land has soared as investors look for places to grow food for export, grow crops for biofuel or simply buy up land for profit. The film gives an inside look into the world of investors in the international agricultural-business and shows the consequences for families kicked off their land. Land Grabbing shows how “colonialism 2.0” works.

Archival material from the original NASA film footage – much of it seen for the first time – plus interviews with the surviving astronauts, including Jim Lovell, Dave Scott, John Young, Gene Cernan, Mike Collins, Buzz Aldrin, Alan Bean, Edgar Mitchell, Charlie Duke and Harrison Schmitt.

A compilation featuring comedic stars of the silent era including Will Rogers, Laurel and Hardy, and the Keystone Cops.

Pete Buttigieg, the Mayor of South Bend, Indiana runs for President of the United States. With extraordinary access to the candidate, his husband Chasten and member of the campaign team, the film follows Buttigieg from before he officially announced his candidacy, through the campaign and his victory in the Iowa Caucus and his appointment to the Biden Administration as the first LGBTQ Cabinet member in history.

In this explicit sex education film based on clinical research made by American and Swedish doctors, a panel of experts in the field of sex education discuss various aspects of human sexuality. The film deals with and demonstrates all kinds of problems related to sexual relationships.

A smoke-filled journey across the lives and the careers of the groundbreaking, genre-defying Hip Hop group, Cypress Hill. Their unique sound, influenced by their Latin roots and West Coast upbringing, was built on a movement rooted in true authenticity: from cultivating the flower, to smoking it, to rapping about it, their influence is forever burned into the musical landscape of Hip Hop as they continue to stay relevant after 30 years.

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

Following up on his 2007 documentary, The Most Hated Family in America, Louis Theroux returns to Topeka, Kansas, for a week-long visit with the Westboro Baptist Church. He again joins the Phelps family on their controversial pickets where they try to antagonise communities with offensive slogans and anti-gay placards. But four years on from Louis’s last visit, there are signs of disarray in the Phelps clan. A series of defections of family members has shaken up the church.

In America, we define ourselves in the superlative: we are the biggest, strongest, fastest country in the world. Is it any wonder that so many of our heroes are on performance enhancing drugs? Director Christopher Bell explores America’s win-at-all-cost culture by examining how his two brothers became members of the steroid-subculture in an effort to realize their American dream.

When police discover 18-year-old Conrad Roy dead in a Massachusetts parking lot, they are faced with an unprecedented investigation; the discovery of troubling text messages forces them to wonder if the death is suicide or something more sinister.

The Age of Anxiety is a film that delves into a crisis in motion according to the World Health Organization, disorders related to dread are the most prevalent mental illnesses on the globe at the moment. Is this a disease of modernity? Or is our highly competitive and material culture itself undermining our nerves? The Age of Anxiety explores these questions, while also investigating the role that pharmaceutical companies and even the psychiatric profession play in this phenomenon. Is our anxiety fueling an industry that in turn is profiting from and exploiting our dread in a vicious and self-perpetuating cycle?

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.