After a cult besieges her convent, a young nun goes with an army of Muslims to destroy the convent and kill who wronged her.
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Based on the Vanity Fair article of the same title, a story about a young boy drawn into a web of lies through an online chatroom.
The Arizona Territory, the 1870’s. Marshal Frank Wilcox, along with a Buffalo Soldier from the U.S. Army, must galvanize a group of survivors to fight back when the living dead rise and seek the flesh of the living. It’s a world gone mad and a battle against the unthinkable. Joined by an Apache Chief and an outlaw prisoner, the group must learn how to survive in a time where the dead walk.
Mexican immigrant and single mother Flor Moreno finds housekeeping work with Deborah and John Clasky, a well-off couple with two children of their own. When Flor admits she can’t handle the schedule because of her daughter, Cristina, Deborah decides they should move into the Clasky home. Cultures clash and tensions run high as Flor and the Claskys struggle to share space while raising their children on their own, and very different, terms.
Elegant, retired architect Shauna (70) crosses paths with Pierre, a happily married doctor in his 40s, who first made an impression on her in a brief meeting 15 years previously. Both are quite troubled to meet again and begin an affair. While Pierre’s family life is soon turned upside down, Shauna struggles with feelings she thought belonged to the past.
Through a structuralist and simultaneously ambiguous form, the image’s reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image’s gloaming, it reveals its true eye: reality’s pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.
A Refugee’s escape, a prisoner’s promise and a daughter’s painful secret converge in this inspiring real life story of hope.
As three fathers fight to save their families, their lives become interwined in an unlikely journey across the globe, where they learn the healing power of forgiveness and reconciliation.
A terminally ill woman and a debonair murderer facing execution meet and fall in love on a trans-Pacific crossing, each without knowing the other’s secret.
Convinced the tragic deaths of her loved ones were orchestrated by a famous novelist she worked for, Luciana turns to a journalist to expose her truth.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
Loving but irresponsible dad Daniel Hillard, estranged from his exasperated spouse, is crushed by a court order allowing only weekly visits with his kids. When Daniel learns his ex needs a housekeeper, he gets the job — disguised as an English nanny. Soon he becomes not only his children’s best pal but the kind of parent he should have been from the start.
Set in the late ’20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.
