Five medical students want to find out if there is life after death. They plan to stop one of their hearts for a few seconds, thus simulating death, and then bring the person back to life. A science fiction thriller from the early 1990’s with a star studded cast.
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Needing money for her brother’s medical treatment, Liu Yazi agrees to become a surrogate mother for a mysterious benefactor. But when the contract is suddenly terminated, she disappears in a whirlwind, taking the unborn child and leaving former acquaintances, spurned lovers and secret admirers seeking her desperately.
Talk show host Wendy Williams executive produces the biopic on her life, revealing the highs and lows she has experienced throughout the years. Wendy has made herself the go-to source for great celebrity dish on her hit talk show, The Wendy Williams Show, but recently the spotlight has turned towards her. The authorized project provides a revealing look at Wendy’s journey, from her scrappy upstart days in urban radio to the success of her own syndicated talk show. Despite all the naysayers and obstacles Wendy encountered throughout her life, her strength and determination have allowed her to thrive.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
A day in the life of mild-mannered and seemingly good-natured auto insurance claims manager Adam Kraul. He sets out to be a do-gooder and make friends, however ends up with mutilated victims in his wake when his invitations for friendships are rejected.
In a world where past meets present and the present gets lost in time, reality is blurred for 5 College psychology students who are pushing all boundaries during an ESP experiment over a lost weekend…
When Shelly meets Rachel, two dysfunctional girls from radically opposed backgrounds set off on a collision course that will leave one of them shattered, the other re-born. Set in the forsaken wastelands of Cheshire’s little-seen urban overspill, The Violators charts a teenage girl’s path from battle-hardened cynicism to the hope of a better life.
In the rural Ukraine, in a ghostly world where fantasy tears the veil of reality, life fiercely fights death every day and old values and vengeance reign over people’s souls, Vitka, an imaginative and rebellious little girl, is the fascinated witness to the crazy love that Larysa, her teenage cousin, feels for Scar, a young criminal.
When Sade, the central character suffers a personal tragedy, she is taken on a journey of self-discovery and faith which transforms the lives all those around her. God Calling shines a spotlight on modern day spirituality by imaginatively exploring what it might look like for Abraham or Prophet Elijah to be Nigerian in 2018, and have to contend with disbelief as well as modern-day realities such as smartphones, and social media.
It’s Christmas and Miranda (Krakow) leaves Seattle with a suitcase full of presents to join her long- lost family in Carlton Heath, where she will experience the joyful traditions she missed as a child. Last Christmas, Miranda fell in love with Ian (Matter), a local man who helped her as she searched for her father, James Whitcomb, a famous theatre actor she believed had a connection to the town. At his widow Margaret’s (Malick) request, Miranda agrees to keep it a secret to protect the family from scandal.
A fifteen-foot grizzly bear figures out that humans make for a tasty treat. As a park ranger tries rallying his men to bring about the bear’s capture or destruction, his efforts are thwarted by the introduction of dozens of drunken hunters into the area.
Lotus never had a chance. Her mother seethed with anger at being unjustly imprisoned for turning her attemped rapist into a cyclops. Mother repeatedly asked her good friend and fellow prisoner, Pickpocket, to urge Lotus to take revenge for her as an adult. Lotus is given to a monastery and grows up there, but twenty years of peace and love make no impression on Lotus, who skips classes to practice pole and sword skills. Joining forces with Pickpocket and Big Rat, Lotus gets her chance at revenge.
