Seventeen-year-old Stella spends most of her time in the hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control — all of which get put to the test when she meets Will, an impossibly charming teen who has the same illness.
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Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
Brandon is a New Yorker who shuns intimacy with women but feeds his desires with a compulsive addiction to sex. When his wayward younger sister moves into his apartment stirring memories of their shared painful past, Brandon’s insular life spirals out of control.
Antonio Decoud is a conservative family man who is forced by destiny to face an unexpected situation that shakes him to the core, scrambling up his life and his priorities, pushing him to forget his beliefs and his way of understanding life and follow the most basic instinct: the animal instinct.
Two friends seek spiritual salvation in India, away from their hedonistic and disconnected London lives, in advance of the impending collapse of the Cosmos.
Paris, 1993. Selma, 17, lives in a bourgeois and secular Berber family. When she meets and is strongly attracted to Julien, a dashing young man, she realizes for the first time the heavy rules of her patriarchal family and how they affect her intimacy. As Islamism takes over her country of origin and her family crumbles, Selma discovers the power of her own desire. She must resist and fight. Through the strength of her people, she starts walking down the path of what it means to become a free woman.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
Ryûhei Sasaki (Teruyuki Kagawa) is keeping a secret from his wife, Megumi (Kyôko Koizumi), and his two teenage sons. Even though he leaves the house every day, he’s not really going to work. He’s going to an employment office. He recently lost his job due to outsourcing, but is determined to find another position, all while supporting an old friend who is also out of work. But when Megumi accidentally finds out Ryûhei’s secret and doesn’t tell him, her trust in him, and their marriage, suffers.
Leningrad, one summer in the early eighties. Smuggling LP’s by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the destiny of rock’n’roll in the Soviet Union.
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her “day” job as a barmaid at Coyote Ugly. The “Coyotes” as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.
