In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.
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Jump into the world of ‘Big Air’ All-Terrain Vehicle (ATV) riding with Derek Guetter as he tours the country with his Live Show and Butter film crew discovering epic locations and talented riders that live life on 4-wheels.
Taped at New York City’s Beacon Theatre before a live audience, Ellen DeGeneres: Here and Now features the kind of humor that first made her a star, offering her offbeat insights into everyday life. Her feel-good humor touches on something that anyone can identify with, be it the obligatory gay joke, procrastination, fashion, public cell phone use, airline etiquette, or self-esteem.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
British surrealist Leonora Carrington was a key part of the surrealist movement during its heyday in Paris and yet, until recently, remained a virtual unknown in the country of her birth. This film explores her dramatic evolution from British debutante to artist in exile, living out her days in Mexico City, and takes us on a journey into her darkly strange and cinematic world.
In 1970, hundreds of hippies followed Stephen Gaskin on a journey from San Francisco to Tennessee, where they founded a legendary commune known as the Farm. Within this self-sustaining society based on non-violence, vegetarianism and respect for the earth, members willingly took a vow of poverty, lived in converted buses, grew their own food and home-delivered babies. Born and raised in this alternative community, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. Finally ready to face the past after years of hiding their upbringing, they chart the rise and fall of America’s largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part, by its own success is reflected in the personal story of a family unit split apart by differences. American Commune finds inspiration in failure, humour in deprivation and, most surprisingly, that communal values are alive and well in the next generation.
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