During a trip to Rome, a debauched Shakespearian actor is tormented by fans, the press, the Italian film industry and the Devil – who appears as a little girl seeking to collect his head.

Keisuke Isobe and Koume Satou live a rather dull life. But when Koume’s crush breaks her heart, their situation becomes quite unordinary. She starts a “no-strings-attached” relationship with Keisuke, whom she had previously rejected, both finding solace in the other in order to fill the emotional voids in their lives.

Young Roman and his mother Oksana leave Ukraine and go to Germany, where she works illegally while they both live with Gert, an old widower who tries to befriend Roman, who struggles for his mother’s attention and sees Gert as a rival.

Following the success of the Dawn Rebellion, Degwin negotiates with Vice Admiral Revil to surrender all Federation assets and the complete withdrawal of Federation forces from Side 3 to prevent similar incidents from happening again. After bring reprimanded by Degwin for failure to look after Garma, Dozle sends Char – who motivated Garma into starting the rebellion – to Earth; in response, Char requests to become a mobile suit pilot when he returns. Feeling the burden of his responsibilities, Dozle proposes to cadet Zenna Mia. In the Earth city of Manaus, Char lands a job as a mobile worker pilot at a construction site. He meets a young Lalah Sune at a casino.

A thief expert with blowtorch is hired by a group of the Russian mob for a bank assault.

Musician Sofia must cope with the stress and isolation of quarantine after her husband is infected with COVID-19. Upon the arrival of a mysterious woman named Lilith, Sofia’s loneliness morphs into confusion, fear, and paranoia as her grip on reality falters.

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Frankie Dymon’s Death May be Your Santa Claus (1969), arguably Britain’s first and only example of a ‘black power’ movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg’s Performance, Godard’s Sympathy for the Devil in which Dymon played a leading role, or Boorman’s Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a ‘pop fantasy’ and offers an intriguing look at 60s sex and politics from a black British perspective.

Sara was placed in care aged 11. Now 28 she hears her mother has died. She goes to the funeral and realises her brother and father don’t recognise her so keeps quiet about her identity. When watching her father’s house, she finds out she has two younger sisters, and realises that what’s going on connects to her childhood…

Mad Scientist has privately developed a highly developed humanoid robot with sympathetic nerves to satisfy one’s own desires. Unexpectedly, the robot developed its autonomous consciousness. It exchanged the skin of the beautiful woman Su Xin by means of “black technology”, and instead lurked beside Su Xin’s boyfriend Wang Sheng. On the other side, the bizarre serial murder case has attracted the attention of police officer Li Dongbin, and the danger is quietly brewing…

Maurizio Merli stars as a hot-shot police driver who has more guts than brains, often landing him in hot water with his middle-aged mentor, who was once a legendary police interceptor responsible for numerous large scale arrests.

A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.