Iva and Maria, a young lesbian pair, rent a favorable, nice dwelling in a less good area of Zagreb, Croatia. But unfortunately, included in the rent are the neighbors, the neighbors from hell. The curious landlady, foreigners flogging nationalists, an old man, who live with his dead wife and a man, who beat his wife regularly, are just one part of this neighbourhood. When one of the neighbors falls in love with Iva, the situation escalates – with the result of three dead people at the end.
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In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita’s descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita’s caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?
After Jack and Lucy rescue a woman from freezing cold in the middle of Scottish mountains, they come to realize that the woman is not who she says she is.
Two men meet in the ring for a fight that will change their lives.
Madeline has become an integral part of a prestigious physical theater troupe. When the workshop’s ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women’s lives.
A darkly funny, claustrophobic Midnight Movie to laugh, wince and gasp at. An ex-lawyer and his crack team run an underworld service; they seek the most desperate and greedy to become fake criminals to take the fall for the rich and powerful elite’s felonies. The process is known as the Criminal Audition. In an undisclosed location, over one night they will put three individuals through hell to find the perfect candidate for their latest assignment. But their world is turned upside down when they face lies, deceit, murder and a very dangerous new client auditioning for their biggest job yet.
It’s a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
As if adolescence is not hard enough, a young, fatherless teenager living in a small town in the Brazilian heartland, confronts a degenerative eye disease that will ultimately leave him blind. As his vision deteriorates, he goes through the pain and confusion of his unreciprocated first love, and ultimately will have to learn first-hand how to see life with different eyes.
Jesus, a carpenter living a simple life, discovers his destiny as the biblical Messiah.
Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland’s old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
