Finding Amelia follows Ric Gillespie and his team as they travel to Nikumaroro, a remote Pacific island 350 miles from Amelia’s last known location. This is where they believe Amelia landed her plane, lived, and died as a castaway.
You May Also Like
Guilty pleasure or genius, misfits or mavericks, noble or naff – how do we really feel about the Bee Gees? Are the brothers Gibb a cacophony of falsettos or songwriting maestros, the soundtrack to every office party or masters of melancholy and existential rage? Are they comedy or Tragedy? How deep is our love and how deep are the Bee Gees? With a back catalogue that includes hits like How Do You Mend a Broken Heart, Massachusetts, Islands in the Stream, Stayin’ Alive, Chain Reaction, How Deep Is Your Love, Gotta Get a Message to You, Words, To Love Somebody and Night Fever, the Bee Gees are second only to the Beatles in the 20th-century songwriting pantheon, but while their pop success spans several decades, there are different Bee Gees in different eras. Is there a central glue that unites the brothers and their music and, if so, what is it? The Joy of the Bee Gees features a rare interview with the last remaining Bee Gee brother, Barry Gibb, many of those musicians and industry …
Our two-hour film highlights the life and career of Dr. Schreiber with respect and clarity. Raemer, his wife Marge, and young daughter Paula would move to the high-desert of New Mexico where he and other brilliant minds would change the world forever.
Silver Servers tells the story of four ’Super Senior’ tennis players in their 80s and 90s — one of them the oldest living player in the world — as they prepare for the International Tennis Federation Senior World Championships; on their remarkable journey, they show us what drives them to keep on playing and competing, helping us realise what is possible in our own lives, whatever our age… and the joy in keeping on going. Tennis is the sport, but the game is life.
Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.
Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.
Featuring interviews with performers, activists and past employees, this documentary offers a deep dive into the successes and scandals of Pornhub.
Villa Empain was a passion, a vision, a plan, a home, an artwork. It is a heartfelt dream that was abandoned. Villa Empain, today, looks like it did in the 1930s, but it has turned into another entity held by the same fundament. The film compares the life of Louis Empain and his creation. It bears witness to how a fixed idea, an architect’s dream, disappears in favour of a living architecture.
New York designer Stefan Sagmeister lives in the city of his dreams, and creates work for the likes of the Rolling Stones and Jay-Z. Business is good, creative juices are flowing, and yet he suspects there must be more to life. Sagmeister takes on the daunting project of changing his personality by trying to figure out the causes of happiness. On the advice of a trusted psychologist Sagmeister experiments with three different approaches: meditation, therapy, and drugs. The Happy Film follows his pursuit, and all that he encounters along the way: joy, ecstasy, heartbreak, change, love, and death.
Richard Hambleton was a founder of the street art movement before succumbing to drugs and homelessness. Rediscovered 20 years later, he gets a second chance. But will he take it?
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
