A wealthy high powered woman suffers a horrible tragedy after which she descends into substance abuse,turning her back on her family. She later discovers that someone close to her may be behind her subsequent abduction and kidnapping.
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After he did some jobs for CIA, ex-marine John Shale is visiting his high school love Jane. She’s now a teacher in Columbus High School in Miami. Soon after his arriving Jane has her knee cap broken while jogging. After that, John decides to go undercover as her substitute in high school. Very soon he finds out that gang named Kings of Destruction is terrorizing the school.
Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.
Christmas for Miranda (Krakow) is a painful reminder of the family she never had. Her mother died when she was young, never revealing the identity of her father. But, three days before Christmas, she unexpectedly receives a clue as to the whereabouts that takes her to a beautiful New England town where she meets Ian (Matter), a young man who helps with her search. As the clues lead to her father’s identity and Miranda discovers the possibility of love in Ian, and she learns that her father lived in the small town and now she knows his family (her brother and her biological father’s wife). She faces a terrible decision… Should she share the truth and risk losing the family she has just found, or leave and keep the secret forever? This Christmas promises to be life-changing for Miranda with a new chance at life and love.
When her husband John has a heart attack while out in a rowboat on the lake, Louise Haloran throws his body overboard and later tells the family that he has left on an urgent business trip. Her main concern is that she can only inherit a part of the family fortune if if her husband is alive. The Halorans are a strange family, still grieving over the death of the youngest daughter Kathleen who drowned in a pond when she was just a child. They hold an annual ceremony of remembrance every year on the anniversary of her death. This year however, someone is wielding an ax intent on murder.
At three years old, a chatty, energetic little boy named Owen Suskind ceased to speak, disappearing into autism with apparently no way out. Almost four years passed and the only stimuli that engaged Owen were Disney films. Then one day, his father donned a puppet—Iago, the wisecracking parrot from Aladdin—and asked “what’s it like to be you?” And poof! Owen replied, with dialogue from the movie. Life, Animated tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world.
Michael, a wimpy young executive, is about to get pulverized by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in–and then disappears. Later that night, while jogging, Michael runs into the stranger on a pier. He introduces himself as Alex, and the two go out to an under- ground club. Alex wheedles his way into Michael’s life and turns it upside down…
A troubled veteran gets a chance at redemption by protecting a girl from an assassin after she witnesses a murder. Holding a shotgun with a single shell, he engages in physical and psychological warfare in a desperate fight for the girl’s life.
Riley is struggling to make friends after transferring to a new high school where her father, Chris, is an English teacher. When she meets Kyla, they quickly becomes close friends. However, the friendship takes a strange turn when Riley learns that Kyla is obsessed with her dad. Will Kyla successfully seduce Chris and start a twisted new life with him by removing everyone in her path, or will Riley be able to save her father from Kyla’s treacherous plot before it’s too late?
