This is the story of Buford Pusser’s final days; not only of his life, but also as Sheriff. It seems that times are changing, and the once adoring people of Pusser’s town now fear him and feel like it’s time to make a change. There are also some officials who feel the same way and are using every means to get rid of Pusser.
You May Also Like
After being abandoned in the desert by his abusive stepfather, Phillip finds himself cruelly cast into a game of life or death until a beautiful orphan named Lucy and her boyfriend Jack come to his rescue. The three runaways patrol the desert and live as petty thieves, but they soon find that the fight for survival against nature may become a fight for survival against each other.
On a 1980s evening, the topmost clown-actor of the 20th century Sichuan opera, Qiu Fu passes away in an accident and half-unwillingly sets off for the Ghost City under the escort of two underworld officials. Along the way, he meets old friends. As they recall the past, a history of the living is conjured up.
Annie is stuck in a long-term relationship with Duncan – an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s hit record from 25 years ago surfaces, its release leads to a life-changing encounter with the elusive rocker himself.
The film spans from Hepburn’s early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents’ divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany’s.
After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.
Trained KGB assassin, EDWARD GENN (code name ICARUS), worked years ago as a sleeper agent in America. But when the Soviet Union collapsed, he quickly found himself in a foreign country with no one to trust. Determined to escape his muddled existence, EDWARD tries to start over. He assumes a new identity, starts a family and tries to start his own legitimate business that could potentially pull him out of his world of being a hitman.
The young coast guard and diver Jessica finds two dead scuba divers after a storm. She disagrees with her superiors that it was an accident and seeks the help of her childhood friend Patrik. Patrik and Erica, who are on their way to a romantic holiday, make a detour to the beautiful village of Kungshamn. They soon become involved in the case. Erica hides her real identity as the policemans wife and is invited to join the museum association. Already during the first meeting she attends the associations chairman is found murdered… The three deaths are now officially opened for investigation, and the common denominator between the victims seems to have been an interest in the wreckage of a 1820s ship. Did somebody finally find it? And what cargo did it carry? What caused the ship to sink?
For years, old wood carver Mr. Meacham has delighted local children with his tales of the fierce dragon that resides deep in the woods of the Pacific Northwest. To his daughter, Grace, who works as a forest ranger, these stories are little more than tall tales… until she meets Pete, a mysterious 10-year-old with no family and no home who claims to live in the woods with a giant, green dragon named Elliott. And from Pete’s descriptions, Elliott seems remarkably similar to the dragon from Mr. Meacham’s stories. With the help of Natalie, an 11-year-old girl whose father Jack owns the local lumber mill, Grace sets out to determine where Pete came from, where he belongs, and the truth about this dragon.
Hamlet captures the Almeida Theatre’s 2017 acclaimed production of William Shakespeare’s great play, recorded as-live in its West End transfer on the stage of London’s Harold Pinter Theatre. Robert Icke’s innovative modern-dress production, featuring Andrew Scott, Juliet Stevenson, Angus Wright and Jessica Brown Findlay, has been widely acclaimed as a dazzlingly intelligent, forcefully contemporary staging. The Evening Standard hailed Andrew Scott’s ‘career-defining performance… he makes the most famous speeches feel fresh and unpredictable.’
Marin is a young French woman living in New York City finds herself disconnected from her body, boyfriend and family. During a tumultuous weekend, highlighted by chance encounters with a stranger and an ex-boyfriend, she starts to find her voice.
