In the 1930s, a social set known to the press – who follow their every move – as the “Bright Young Things” are Adam and his friends who are eccentric, wild and entirely shocking to the older generation. Amidst the madness, Adam, who is well connected but totally broke, is desperately trying to get enough money to marry the beautiful Nina. While his attempts to raise cash are constantly thwarted, their friends seem to self-destruct, one-by-one, in an endless search for newer and faster sensations. Finally, when world events out of their control come crashing around them, they are forced to reassess their lives and what they value most.

Although she’s only sixteen and looks even younger, Misao Makimachi is already a skilled and competent member of the Oniwabanshu ninja clan. That’s fortunate for Misao, because her onimitsu talents may be all that keeps her alive when a journey in search of the leader of the clan, Aoshi Shinomori, leads her instead into a face-to-face encounter with an even more dangerous man and a plot to overthrow the Meiji government! Quickly enmeshed in the affairs of the legendary assassin Hitokiri Battosai, now known as Kenshin Himura, wielder of the reverse-blade sword, Misao finds herself pulled into the middle of a deadly intrigue against Makoto Shishio, who is orchestrating the conquest of all Japan – beginning with Kyoto!

Stuck repeating the same pattern of mistakes again and again, Andrew Egan reluctantly accepts a teaching job to support his floundering, stand-up comedy career. As an increasingly anxious Andrew grows accustomed to the droll institution and its occupants he suspects that one of the students may be his downfall and that the previous teacher may not have left of his own accord. His life slowly unraveling, Andrew’s lessons fall on deaf ears and he soon becomes part of a larger cosmic joke.

In this erotically-charged drama, a group of people are gathered at a secluded mansion to hear the reading of a rich man’s will. The assembled guests are to stay the night and learn of their inheritance the next day, but as the night wears on, many of the guests find it impossible to curb their sexual appetites. What they don’t know is that their bedroom activities are being observed, and that there’s more to this gathering than they’ve been led to believe

Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams… until love unexpectedly brings her back to life.

Based on the novel by New York Times best-selling author Beverly Lewis, “The Confession” is the continuing story of Katie Lapp, a young Amish woman who goes on a journey in search of her identity – only to find herself embroiled in a mystery that must be solved before she can be reunited with the “Englisher” mother who gave her up to adoption 20 years earlier. Written by Brian Bird

The story of a mentally unstable loner lost in a life forced upon him. By night Oliver aimlessly wanders the streets and bars on what can only be described as a truly shocking and humiliating killing spree. His only savior and possible way out of a life he is desperate to escape comes in the form of the beautiful Sophia with her sweet eccentricity and naivety to the danger she has put herself in.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.

After years of domestic abuse, Donnie and his agoraphobic mother Helen attempt to make a normal life for themselves, only to find that they can’t shake their unforgiving past.

Virgil Oldman is a world renowned antiques expert and auctioneer. An eccentric genius, he leads a solitary life, going to extreme lengths to keep his distance from the messiness of human relationships. When appointed by the beautiful but emotionally damaged Claire to oversee the valuation and sale of her family’s priceless art collection, Virgil allows himself to form an attachment to her – and soon he is engulfed by a passion which will rock his bland existence to the core.

Antonina Miliukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she’d want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.