In a race against time and all odds, the revolutionary F1 racing car Ferrari 312B will get back on the Monaco circuit, 46 years later, under the wing of it’s creator, the genius engineer Mauro Forghieri.
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High Tension, Inside, Martyrs, Frontier(s) and Them. In the years of 2003 to 2008, those sensational and innovative horror movies were made and left huge impact around the world. This movement is called New Wave of French Horror. This film explores the meaning and hidden secrets of this significant movement.
For nearly a century, the image of the Airstream travel trailer, with sunlight gleaming off the aluminum of its sleek silver-bullet body, has evoked the romance of escape and the mystique of a world where a new adventure is waiting just over the next hill. No matter the model of Airstream — Bambi, Caravel, Flying Cloud, Tommy Bahama, Classic, Serenity — Wally Byam’s invention offers an elegant passport to a world where friendship, communion with nature, and international caravans continually weave together in unforgettable moments. Narrated by Kate Pierson of the B-52s, Eric Bricker’s film unpacks the evolution of Airstreams from simple trailers into platforms for free-spirited living.
In this special documentary that inspired a two-season television series, scientists and other experts speculate about what the Earth, animal life, and plant life might be like if, suddenly, humanity no longer existed, as well as the effect humanity’s disappearance might have on the artificial aspects of civilization.
Sequel to the 2002 film. This time, Heavyweight Champ George “Iceman” Chambers (White) is sent to a Russian jail on trumped-up drug charges. In order to win his freedom he must fight against the jailhouse fighting champ Uri Boyka (Adkins) in a battle to the death. This time he is not fighting for a title, he is fighting for his life!
“The Legend of Cool ‘Disco’ Dan” is the story of black Washington DC told from the perspective of Cool “Disco” Dan starting with his birth during the civil rights era and follows his life parallel with the rise of Go-Go music through the 1980s (which is the unheard but yet dominant urban music of DC) and also local DC politics with Marion Barry’s rise and fall. Despite ending up homeless Cool “Disco” Dan used graffiti to escape the social problems D.C. had in the 1980s when things turned violent and became known as the Murder Capital of the United States. Cool “Disco” Dan ends up as a cult character of DC and his name becomes a symbol of survival during DC’s most trying years.
A revolutionary film about the cinematic genius of North Korea’s late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart – a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
A student must overcome bullies and hardships, both academic and romantic, in order to win his college’s coveted Student of the Year trophy.
Dissolute barrister Sydney Carton becomes enchanted and then hopelessly in love with the beautiful Lucie Manette. But Lucie loves and marries Charles Darnay, and remains oblivious to Carton’s undimmed devotion to her. When Darnay is ensnared in the deadly web of the French Revolution and condemned to die by the guillotine, Sydney Carton concocts a dangerous plot to free the husband of the woman he loves.
This film is based on the story of So Wa Wai, the medal-winning Paralympic athlete. It teaches audiences that even people who “lose on the starting line” can achieve victory as long as they persist.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
