In the not too distant future nincompoops are in charge, free thinkers are locked up, and some believe Bigfoot controls the major TV networks with a hat he constructed from windshield wiper blades. Intrepid woman chaser, Scott Vicious, and revolutionary madman, Franklin Musclewhite, may be America’s last hope.

A retired woman hires a dance instructor to give her private dance lessons at her home — one per week for six weeks. What begins as an antagonistic relationship turns into a close friendship as they dance together.

How tenuous is man’s hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is “by nature” a predatory creature. Matthew’s long-time friend, Joe, happens by on the second day and a rivalry between the two friends simmers as Annie cares for her sick baby. . Is this what is meant by “man’s inhumanity to man?”

Nolan Mack, a soft-spoken bank employee, undoubtedly loves his wife Joy, though their cavernous empty house only underscores how disconnected they’ve always been from each other. Nolan finds himself drifting from his familiar present-day life in pursuit of lost time after meeting a troubled young man named Leo on his drive home. What begins as an aimless drive down an unfamiliar street turns into a life-altering series of events.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Former FBI Agent Will Graham, who was once almost killed by the savage Hannibal ‘The Cannibal’ Lecter, now has no choice but to face him again, as it seems Lecter is the only one who can help Graham track down a new serial killer.

Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French – music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle…

NOTORIOUS is the story of Christopher Wallace. Through raw talent and sheer determination, Wallace transforms himself from Brooklyn street hustler (once selling crack to pregnant women) to one of the greatest rappers of all time; THE NOTORIOUS B.I.G. Follow his meteoric rise to fame and his refusal to succumb to expectations – redefining our notion of “The American Dream.”

“Shor Se Shuruaat” is an omnibus feature of mentored short films, around the central theme of “Shor”- noise. These films have been made by budding directors, mentored by some of India’s leading filmmakers.

Sins of Our Youth is the story of four teenagers who accidentally murder a younger boy while shooting off assault weapons recreationally and the perilous decisions they make in the wake of the murder.

It follows an estranged mother and her daughter as they get caught in a snowstorm on Christmas Eve and are forced to take refuge inside a church. They meet a handsome pastor and a music teacher who motivate them to reconnect.

Music legend Diana Ross stars with singer Brandy in this 1999 American made-for-television musical drama film. It tells the story of a mother driven to reach the heights of superstardom at the cost of abandoning her only child. In its review, Variety wryly noted “the message seems to be that no maternal crisis is so complex that it cannot be mitigated by the performance of a track from one’s latest CD”