I’m Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

A farm boy (Kirk Cameron) travels to Hollywood to rekindle a romance with a childhood sweetheart (Chelsea Noble), who’s now an actress on the road to stardom—and soon to wed her costar (D.W. Moffett)

Recently discharged Marine sniper John Stewart is at a crossroads in his life, one which is only complicated by receiving an extraterrestrial ring which grants him the powers of the Green Lantern of Earth. Unfortunately, the ring doesn’t come with instructions – but it does come with baggage, like a horde of interplanetary killers bent on eliminating every Green Lantern in the universe. Now, with the aid of the light-hearted Green Arrow, Adam Strange and Hawkgirl, this reluctant soldier must journey into the heart of a galactic Rann/Thanagar war and somehow succeed where all other Green Lanterns have failed.

When the Thanagarians visit Earth, Hawkgirl is forced to choose between loyalty to her people and love for her friends on her adopted planet Earth.

In the near future, where government regulations are so restrictive our most intimate acts are considered acts of rebellion, Nora tries to break out of a lifetime of strict thought and sexual repression before it’s too late.

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When Mardukas switches sides, the order to whack him is given pretty fast, but who can you trust to really shoot the duke?

Based on the novel ‘Evolution Man’ by Roy Lewis, this tells the story about the first man – young Edward – to descend from apes. Edward is ejected by his tribe, but is very resourceful. He learns to walk, discovers fire, manages to hunt – and we follow him as he evolves. He has a generous nature, and search for true humanity – a world where we don’t eat our fathers.

‘Teen Kanya’ is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author’s centenary. The title means “Three Daughters”, and the film’s original Indian release contained three stories, with three central female characters linking the stories together. ‘The Postmaster’ concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. ‘Monihara’ is a supernatural tale about a woman obsessed with the jewels her husband buys for her. ‘Samapti’ follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include ‘Monihara’, and was released as ‘Dui Kanya’, or “Two Daughters”. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.

RoboCop as a woman… The Hero Gang is a nasty group of thugs terrorizing Hong Kong with their killer robots, Pioneers 1 and 2. While Pioneer 1 looks like an oridinary robot, Pioneer 2 has been modelled on Maria, the gang’s #2 thug. When Pioneer 2 gets damaged during a mission to kill an outcast gang member, an inventor on the police force takes her and changes some of her programming. This new code, plus a few injuries to her logic center, start causing Pioneer 2 to develop her own personality.

Soon after Thom starts operating as an illegal taxi driver in New York City, Claire hires him to drive her to California after her estranged father suffers a heart attack.