A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.
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On her 40th birthday, Amelia makes a fateful wish to be 18 again back in 2002 but soon regrets it when she’s stuck reliving the day over and over again.
Single mom Julie Stevens’ life is turned upside-down when international con man Martin moves to her neighborhood. As Julie begins to open up to Martin’s charms, another woman – Sloane – is determined to kill Martin for having left her and robbed her blind. Will Julie survive Martin’s affections and Sloane’s revenge?
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
A con man and a would-be filmmaking crew force themselves into the lives of two grief-scarred young women. But nothing is as it seems.
When two rival basketball coaches (Kirk “Sticky Fingaz” Jones and Khalil Kain) fall out over a bad call in a championship game, things only heat up when KNight Mathews hooks up with the lovely Brooklyn Taylor (Ashley Ferrer), the cousin of his newfound rival.
An eighth grade student kills himself but not before writing the names of the students who victimized him. Their parents are called into the school and a battle goes on regarding the will.
When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
Police officer Patty Butler, alias “Chicklet,” is the live-in girlfriend of Thomas ‘Stick’ Henderson to gather evidence. Detective Bo Lockley is instructed to try to find her, not knowing she’s also a cop.
Elon, who suffers bipolar disorders, wants to please his dad, head of a southern France mafia, and reluctantly commit crimes. However, each of his acts have consequences, and a heavy price to pay.
Will is an 2012 British sports drama directed by Ellen Perry and starring Damian Lewis, Jane March and Bob Hoskins. .At the start of the film, eleven year-old Liverpool fan Will Brennan is at a boarding school in the south of England, due to his father Gareth’s (Lewis) inability to look after him following the death of his mother. Gareth arrives one day out of the blue, with two tickets to see Liverpool play AC Milan in the 2005 Champions’ League Final in Istanbul. Unfortunately, before they can go, Gareth dies suddenly. Will is determined to go and honour his father’s memory. He runs away and makes it as far as France. He then meets Alek, a former Yugoslavian footballer who stopped playing during his country’s civil war. Despite Alek’s initial reluctance to get involved, he is inspired by Will’s determination and tries to help him to fulfil his dream. After many trials and tribulations, Will gets his wish and has a better experience at the match than he could ever have imagined.
The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.
