Paul Raymond builds a porn, entertainment and real estate empire that makes him the wealthiest man in Britain, but drugs doom his beloved daughter, Debbie.

A young med student struggling with her tuition fees is drawn into the shady world of underground body modification.

Nick Newell, a one-armed MMA fighter gets a rare chance to fight for the lightweight championship. He strives to win for himself and all the other people in the world with physical challenges.

At Kinetech Labs, an inventor named Allan Topher designs a robot for search and rescue, but when he finds out that the robot will be used for military purposes, he programs the robot to flee. The robot escapes but is damaged in the process. It is discovered by 12-year-old Henry Keller, who fixes it and names it Cody. The robot does not remember its past, and Henry and Cody develop a friendship. Eventually, Kinetech and the inventor find Cody and bring the robot back to the laboratories. The inventor feels guilty for taking Cody away, so he returns the robot to Henry. The inventor meets Henry’s mother, Joanna, in the process and falls in love. Kinetech wants the robot back, so it kidnaps the inventor and Joanna. Henry and Cody embark to save them and to bring down Kinetech.

Priscilla finally gets the job of her dreams so that she is able to send her youngest daughter off to college but later finds out a dark secret that can shake the foundation of their family Christian beliefs. On the otherhand, Priscilla’s husband is also experiencing challenges that could break up the union of their marriage.

A priest (Robert Ginty) learns that he fathered a child during his tour of duty in Vietnam and that the mother and child has relocated to Houston, Texas in the Little Saigon quarters. Searching for them, he also finds massive prejudice against the Vietnamese people, particularly among the fishing community in which they are trying to work. Setting out to right the wrongs, the priest tends to use more fisticuffs than friendly, priestly persuasion.

CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …

This searing British thriller follows Flash (Dylan Duffus), who’s safeguarding his buddy Angel’s (Yohance Watson) cash until his release from prison. Now Angel is out — and Flash is 100 pounds short. He turns to a lowlife named Evil (Tobias Duncan) for help, the first in a series of mistakes. Now, Flash has more than just Angel hunting him down. Directed by Penny Woolcock (Mischief Night), the film co-stars Ohran Whyte and Chris Wilson

When the Indian Jimmyboy is accused of murder of a white man, he flees onto the ranch of Smith, who’s well known for his tolerance for Indians, since he was raised by the old Indian Antoine. Smith helps Jimmyboy against the mean Sheriff and promises to speak for him in court, thus persuading him to surrender himself to the police.

When their father passes away, four grown, world-weary siblings return to their childhood home and are requested — with an admonition — to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.

In this third and final chapter of the ‘Perfect Stranger Trilogy’, Nikki Cominskey, now in her 40’s and no longer a high-powered attorney, finds that the spiritual life she signed on for is not all it was cracked up to be – leading to a second, and defining, encounter with the Son of Man.

An undercover cop teams up with a martial-arts expert to stop a gang of drug smugglers and car thieves.