A former fighter reluctantly returns to the life she abandoned in order to help her sister survive the sadistic world of illegal fighting and the maniac who runs it.
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In 1960s New York, Walter Stackhouse is a successful architect married to the beautiful Clara who leads a seemingly perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer and an overambitious detective, while at the same time lusting after another woman.
Based on the wraparound story penned by Clive Barker in the author’s “Books of Blood” collection, the story centers on a paranormal expert who, while investigating a gruesome slaying, finds a house that is at the intersection of “highways” transporting souls to the afterlife.
In a not too distant future, a totalitarian state run by ‘The Director” (Seagal) controls all aspects of life. All enemies of the state are dealt in the harshest way. Most of them are executed by the secret government’s assassins. The best operative is code-named “Condor” (Messner) – an elite agent and hit man for the government. However, in his latest assignment, “Condor” fails to kill an opposition leader, and finds himself on the run from the very same government agency that he works for. This sets in motion a chain of events with unforseen consequences for all involved.
Jaime Escalante is a mathematics teacher in a school in a hispanic neighbourhood. Convinced that his students have potential, he adopts unconventional teaching methods to try and turn gang members and no-hopers into some of the country’s top algebra and calculus students.
In a Copenhagen hotel, disparate lives intersect through accident or fate: A stewardess desperate for intimacy. An immigrant obsessed with revenge. A hotel manager lost in despair. A wife abandoned by her husband. A receptionist with blood on his hands. People meet in the intimacy of hotel rooms, secrets are revealed and unexpected events merge into a dramatic tale of love and longing.
The film is a sequel to Tanu Weds Manu (2011), in which stars Kangana Ranaut (Tanu) and R. Madhavan (Manu) reprise their roles from the original. Tanu and Manu’s marriage collapses. What happens when Manu meets Tanu’s lookalike Kusum – and when Tanu returns? Kangana Ranaut also portrays the additional role of a Haryanvi athlete Kusum in the film.
Elaine and Ed Kendall have more than their share of grief and suffering. Once a young couple in love they now struggle for a sense of stability in their Staten Island home. Their eldest son is suffering from the physical and psychological effects of war; his younger brother takes it upon himself to bring him peace and relief. Meanwhile, their special needs daughter brings another kind of chaos to the family. Even though Ed and Elaine explore options for her care, they’re really just hanging on to hope that things improve somehow.
After his own daughter was killed in Panama in 1994, former CIA agent Calvin Dexter became a private ‘specialist’ in cases which wouldn’t reach justice trough the regular legal channels. Two years later he accepts to find Richard ‘Ricky’ Edmunds for his pa, influential rich businessman Stephen Edmonds. Ricky for a private Canadian war victims charity in Bosnia and went missing. Dexter discovers Ricky was beaten to pulp and drowned for no other crime then helping street boys from the other side by Zoran Zilic and his Serbian paramilitary ‘order’. He offers Steven to ‘finish the job’ as such war criminals don’t go to trial. But deputy CIA director Paul Devereaux cares only for a nuclear arms project he wants to use Zilic for. So CIA troubleshooter Frank McBride is ordered to protect him and handle Dexter.
Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière’s theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.
Léa lives in Le Havre, where she attends college whilst taking care of her elderly grandmother. To make ends meet, she works as a waitress in a night club. Her admittance to the Institute of Political Studies in Paris offers her new opportunities, but at a high price. Léa finds work as a striptease artist, so that each evening she can put into practice the theory of economic liberalism which she learns by day…
