As Hercule Poirot enjoys a luxurious cruise down the Nile, a newlywed heiress is found murdered on board. Can Poirot identify the killer before the ship reaches the end of its journey?

While investigating the kidnapping and murder of a little girl, a detective spots a piece of graffiti that depicts the crime scene perfectly—but the graffiti was drawn a month before the crime took place, and that the artist knows more than he is telling.

ENTRANCE is about the limits of our perception, how the things lurking on the periphery of our lives can lead to horrific conclusions; about how she fell out of love with the city, but it wouldn’t let her go.

After trying and failing to seduce her teacher, 16-year-old Alex runs away from her boarding school. Trying to seek out the biological father her mother has always kept hidden from her.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

The women in a Seattle serial killer’s life often had an unpleasant way of turning up dead – from his girlfriend to his mother-in-law to his second wife. The police and FBI knew who the killer was, but were never prepared to face a bizarre twist in the case-that his own mother was an employee of the Seattle Police Department with access to confidential documents–and was a woman who didn’t hesitate to interfere with justice…

After weeks of traveling through Europe, the immature William finds himself in Copenhagen, the place of his father’s birth. He befriends the youthful Effy, who works in William’s hotel as part of an internship program, and they set off to find William’s last living relative. Effy’s mix of youthful exuberance and wisdom challenges William unlike any woman ever has. As the attraction builds, he must come to grips with destabilizing elements of his family’s sordid past.

Paul Gauguin feels smothered by the atmosphere prevailing in Paris in the year 1891. Around him, everything is so artificial and conventional: he needs authenticity to renew his art. Failing to convince his wife Mette and his five children to follow him to Paradise Lost, he sets out for Tahiti alone. Once there, he chooses to settle down in Mataiera, a village far away from Papeete, installing himself in a native-made hut. He soon starts working passionately, painting and carving in a style close to the primitive art specific to the island. During his two-year stay the artist will experience poverty, cardiac problems and other displeasures but also happiness in the arms of Tehura, a beautiful young native girl.

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Rachel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in Sao Paulo to become a call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name “Surfistinha” which means little surfer girl.

A perceptual thriller told from three points-of-view revolving around the rape of a female college student by a mentally handicapped man and his mother’s subsequent revenge after his incarceration.

In a not too distant future, a totalitarian state run by ‘The Director” (Seagal) controls all aspects of life. All enemies of the state are dealt in the harshest way. Most of them are executed by the secret government’s assassins. The best operative is code-named “Condor” (Messner) – an elite agent and hit man for the government. However, in his latest assignment, “Condor” fails to kill an opposition leader, and finds himself on the run from the very same government agency that he works for. This sets in motion a chain of events with unforseen consequences for all involved.