The true-life story of boxer-turned-priest. When an injury ends his amateur boxing career, Stuart Long moves to Los Angeles to find money and fame. While scraping by as a supermarket clerk, he meets Carmen, a Sunday school teacher who seems immune to his bad-boy charm. Determined to win her over, the longtime agnostic starts going to church to impress her. However, a motorcycle accident leaves him wondering if he can use his second chance to help others, leading to the surprising realization that he’s meant to be a Catholic priest.
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Prior to the adoption of Confucianism, it was the tradition to abandon one’s parents on a mountainside if they were over 70 years of age. In the ancient kingdom of Goryeo, now modern Korea, a nobleman defies this tradition when he refuses to leave his mother to starve to death.
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When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
A sordid and complex series of events unfolds when an ex-prostitute becomes involved with a couple in Hong Kong.
A single mother in Madrid sees her only son die on his birthday as he runs to seek an actress’ autograph. Beside herself with grief, she returns to Barcelona to tell the boy’s father about the death of the son he never knew he had.
Kenshin Himura goes up against mysterious weapons dealer Enishi. He controls the underworld of China. The secret of Kenshin Himura’s “Jujishou” is also revealed.
Deanna Durbin is all grown up in Hers to Hold, the unofficial sequel to her “Three Smart Girls” films of the 1930s. Durbin plays Penelope Craig, the starry-eyed daughter of wealthy Judson and Dorothy Craig (Charles Winninger, Nella Walker). Developing a crush on much-older playboy Bill Morley (Joseph Cotton), Penelope stops at nothing to land the elusive Morley as her husband. Highlights include Durbin’s renditions of “Begin the Beguine” and the “Seguidilla” from Carmen, and a captivating sequence that includes highlights from Durbin’s earlier films, presented as home movies!
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