Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) – think Duke University – and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He’s an alcoholic, fresh out of rehab. He gradually becomes Duke’s gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?

The story of Peking Opera School, its teacher Master Yu and his students.

A dramatic, neo-realist Moroccan-speaking comedy, centered on the Vaknin family – a Moroccan Jewish family that immigrated to the picturesque town of “Bab El Ward” (an imaginary town symbolizing the whole periphery).

As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.

A brother and sister are confronted by a malevolent supernatural entity…

Potential soulmates always seem to be dating someone when their paths cross.

By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.

Maria San Carlos, the only daughter of a wealthy landowner, is betrothed to Escobar, a General in the Mexican Revolution, but she does not love him. Escobar sends a mixed gang of Americans and Mexicans to capture her and bring her to him. Complications ensue when an American cowboy, who had been hitching a ride with Maria’s entourage and has his gold stolen by the gang, pursues them across the desert.

In the town of Martin, Tennessee, Chip Hines, a precocious six year old, has only known life with his two dads, Cody and Joey. And a good life it is. When Cody dies suddenly in a car accident, Joey and Chip struggle to find their footing again. Just as they begin to, Cody’s will reveals that he named his sister as Chip’s guardian. The years of Joey’s acceptance into the family unravel as Chip is taken away from him. In his now solitary home life, Joey searches for a solution. The law is not on his side, but friends are. Armed with their comfort and inspired by memories of Cody, Joey finds a path to peace with the family and closer to his son.

Big Land, Flying Eagles is a spaghetti western-sequel desert intrigue film set on the Mongolian-Chinese border. Xiao Fung, a notable swordsman, has killed the son of a local warlord, Lee San, and the 3,000,000 tael that Lee’s son was transporting, now seems to have gone missing. Xiao Fung is now marked for death by Lee San, but finds protection from “Killer Eagle” another swordsman of great repute, and a band of nomadic Mongolian traders. Nevertheless, Lee sends killers of unusual backgrounds, including Buddhist monks, to hunt Xiao Fung down, while Xiao Fung seems curiously preoccupied with a woman who’s embroiled in unstated conflicts with practically everybody.

Ronya lives happily in her father’s castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronja have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.

In 1994, on the first day that Yoo Yeul went on air as the new DJ of the popular radio show ‘Music Album,’ a college girl Mi-su meets Hyun-woo who happens to drop by the bakery she works at. Like the music streaming from the radio, their frequencies slowly come in sync; even when they’re apart, the show brings them together through ebbs and flows of events arising from both pure coincidence and inevitability, until the bitter reality sets in and drives them apart…