The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs

At an isolated log cabin in the harsh wilderness of Indiana circa 1817, the rhythms of love, tragedy, and the daily hardships of life on the developing frontier shaped one of our nation’s greatest heroes: Abraham Lincoln. Abe is a thoughtful and quiet boy who spends his days at the side of his beloved mother while learning to work the land from his stern father. When illness takes his mother, Abe’s new guardian angel comes in the form of his new stepmother, who sees the potential in the boy and pushes for his further education.

A young man finds solace with a young woman, his mother, and a high-school football coach who recruits him to quarterback a six-man team.

A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.

Three troubled young girls will do anything to escape their stifling lives – even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

After a breakfast of LSD and hitchhikers, The Takers–two berserk bikers–decide to go upscale when they spot suburban housewife Laura and bachelorette Barbi, follow them to Laura’s home, and invite themselves in: “We’re gonna have us a party with some educated social-type broads!” And party they do until Laura’s hubbie (director Carl Monson) unexpectedly shows up to settle things with some shotgun vengeance and… well, one of the goofiest, most startling endings of any motion picture!

One night Alice can’t stand her husband anymore and she decides to leave him. It’s a dark, rainy night and something smashes the windshield so Alice is forced to seek shelter in an old mansion. She is warmly welcomed but soon realises that strange things are happening. She tries to escape but it seems there’s no way out.

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

Mohammed Assaf, an aspiring musician living in Gaza, sets a seemingly impossible goal: to compete on the program “Arab Idol.”

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

The film follows Grace, a young woman whose irresponsible mother blows her college fund on her younger sister’s beauty pageant campaign.

In the not-too-distant future, the last two men on earth must adapt and evolve to save humanity.