A modern retelling of Shakespeare’s Othello set within the music scene of East London. Oz and Ivan are lifelong friends and music producers. When Oz gets offered a lucrative recording contract, he makes the decision to separate from Ivan professionally. This rejection turns to rage, as Ivan plots to undermine Oz’s success and get him kicked off the label. The plan kickstarts an escalation of jealousy and paranoia in Oz. With deadly consequences.

A boy named George Jung grows up in a struggling family in the 1950’s. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George’s father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960’s, suggests that he deal marijuana. He is a big hit in California in the 1960’s, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.

A man takes his daughter on the Camino de Santiago to honor his late wife’s last wish.

For the thirtysomething Sheng Ruxi, whose surname unmistakably echoes the slang term “sheng nu” (leftover women), the wait for a perfect partner is growing more despairing by the day. With an ultra-anxious mother who would rather die than see her daughter stay single, Ruxi is further annoyed by the doctor she’s fixed up with. Could her new colleague, the dashing 25-year-old Ma Sai, offer last-minute salvation?

Kishen is a newspaper baron married to Kaajal, a housewife who suspects her husband of having numerous non-existent affairs. Pooja is the believing wife of ever-philandering globe-trotting businessman Prem. Kishen and Prem are thick pals. Sanjana falls in love with Prem’s loyal photographer Sunny and they get engaged. Kishen gets tired of his jealous wife and tries to have an affair with Bobby, a call girl. Due to circumstances, Bobby is introduced as the wife of Kishen during Sanjana’s wedding, and as Sunny’s wife to Kaajal. It becomes a bundle of confusions when all three couples meet.

Desperate to escape the trappings of her small coastal farming town, 16-year-old Abby falls for the lead singer of a touring rock band and must decide whether or not to leave her family and friends behind. With live music performances and an exciting ensemble cast, COAST is about female friendships, finding your truth, and letting the music take you home.

In Assassin’s Bullet, Slater plays Robert Diggs, a black ops agent who comes to work for Ambassador Ashdown (Hunger Games star Donald Sutherland), tracking down a vigilante assassin in Eastern Europe. The maverick hit(wo)man has been taking out high-profile targets on the U.S. hit list, and Diggs must uncover the killer’s identity before there’s an international incident. The usual game of cat and mouse ensues.

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Amber is a young woman gripped by despair and thinks her life is pointless. What she doesn’t know (but will soon discover) is that she’s needed by a secret society of vampires who have discovered that Amber is the key to their survival.

A personal, accessible look at an artist – Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?

Quan is a humble London businessman whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – dies in a senseless act of politically-motivated terrorism. His relentless search to find the terrorists leads to a cat-and-mouse conflict with a British government official whose own past may hold the clues to the identities of the elusive killers.

As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed “John Doe,” who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate “Doe.” Ann and her bosses cynically milk the story for all it’s worth, until the made-up “John Doe” philosophy starts a whole political movement.