A heartbreaking home birth leaves a woman grappling with the profound emotional fallout, isolated from her partner and family by a chasm of grief.

In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.

Tsugumi Dozono (Nana Eikura) works at a large electronics company in Tokyo. She likes to spend long vacations at her grandmother’s house in the countryside. One day, her grandmother passes away and Tsugumi Dozono decides to live in her grandmother’s house while working from home. She finds a strange middle-aged man in the house. The man’s name is Jun Kaieda (Etsushi Toyokawa). Jun Kaieda tells Tsugumi that he is her grandmother’s ex-student and her grandmother gave him a key to the annex house. Tsugumi, who does not know the exact relationship between her grandmother and Jun, begins to live with him.

Two thirteen year-olds have always been incredibly close but they drift apart after the intimacy of their relationship is questioned by schoolmates. An emotionally transformative and unforgettable portrait of the intersection of friendship and love, identity and independence, and heartbreak and healing.

Recently promoted and transferred to the homicide division, Inspector Jessica Shepard feels pressure to prove herself — and what better way than by solving San Francisco’s latest murder? However, as Shepard and her partner, Mike Delmarco, soon discover, the victim shared a romantic connection to her. As more of Shepard’s ex-lovers turn up dead, her mind starts to become unstable, and she begins to wonder if she could be the very killer she’s trying to track down.

The father of a sick child takes on a criminal gang running a pharmaceutical racket.

“Something hit us…the crew is dead…help us, please, please help us!” With these terrifying words, 22 of Hollywood’s greatest stars find themselves aboard a pilotless jumbo jet headed on a collision course with destruction in the nerve chilling sequel to the greatest disaster movie ever made.

An overlooked pencil-pusher catches her husband in bed with another woman, the shock of which causes him to die of a heart attack. So she buries his body and takes advantage of the growing celebrity status that comes from having a missing husband. But she quickly finds herself in over her head, dodging cops and criminals, all while trying to keep the truth from her sister, a local news anchor who’s desperate for a story.

Retired Navy S.E.A.L. Christopher ‘Soup’ Campbell is a tactical specialist for a private security firm at a counter terrorism training facility hidden in the Blue Ridge Mountains. The military and intelligence community call him ‘Soup’, not only because of the familiarity of his last name, but his ability to combine and assess a variety of threats into a strategic tactical response. A specific skill that came useful on many of his combat tours into Iraq and Afghanistan.

A story of the caring friendship formed between a crusty, old anti-Semite and an eight-year-old Jewish boy who goes to live with him during World War II.

Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.

To earn money for his sister’s heart surgery, Amila works for a company but learns they traffic babies to foreigners, from unwanted pregnancies.